I used to work at the British Heart Foundation and around Christmas time I was in the stock cupboard sorting out the books when I noticed how many Christmas books there were. There were so many books aimed at children that it makes me think how far behind we lag in literary stakes in the Indian community. We have now had a British Asian Prime Minister, so if there are any serious questions about our national identity and heritage we can ask him, or at least point as if we are capable of his merits. But what would it take to have some Krishna colouring books. Native images of Rama and Shiva; to see the delight of children colouring Ganesh? Why stop there? There is Little Krishna at ISKCON and he is playing with white kids; so why can’t they have children books that have imaginative art work and are large scale with the permission given to pass them on. We Hindus suffer from as many health problems as Christians do and may have problem getting access to decent holistic treatments with the onset of western medication lacking roots with which to talk to us about our post-colonial status and really find out how we are doing on a day to day basis. What if we don’t like football or support the Beckhams, does that mean we have to Bend It Like Christmas Karma, the movie? We have problems letting the past go that can not be seen and gaining access to literature aimed at children would be one way of helping this cause. What do you think? Can you think of reasons not to publish cartoon books of Sita and Lakshmi? Does Indian archaeology have a say in the depiction of our glorious Gods and Goddesses? Is it a matter for erotica and are we doomed to hold on to past energies and find ourselves on the receiving end of medical inspections and questions without answers and answers without questions? The publishing industry was fought for in the United Kingdom and we as Indians are still dealing with Shree Book. There used to be a book shop on the Soho Road in Handsworth where Sikh books were priced at up to £100 and over – so what is the catch and where are these discussions being had? Who is deciding what is important about the postcolonial sketch and what are the long term artistic features of integration and holistic meditation on these factors governing the British Asian diaspora, their families and all their friends who work so hard to put their culture on show at weddings, where family is the centre piece of the religion of Hinduism but the children start out life so one sided and emphasising one side of the brain? Social media now hosts Instagram and all those flashing lights and images so there is hope that these stagnant waters can be moved on.