Shame On You

We have but one dream
The Boo Dis realisms of Arsenio Hall
Late night talk shows up all night about the enjoyment of the poor people
So Matt Damon can walk off the set again
May someone else have In-Jokes.

For, while Buddha laughed, the Simpsons played on and nobody was shared cartoons
The U.K. dismantled their industry to listen to RnB
While Mumbai spared Economics with Goldman Sachs
And those pricey weather forecasts.

Cocaine cracked on the streets
The new partitions from Chinese caretakers
Governed distress of Gillian Keegan’s swearing dress
School number blonde
Falling down with Michael Douglas
Stoned like a Jordanian irrelevancy
A soul craving Allah with Robin Arora and his fashionista
Pune and Milan for Monica Belucci’s brand
Russell – be famous now and sell us back our shares from Joe Biden
Glass Steagal and the end of the FSA and all that
What is censored now – you literate classy poetic prat?

A reputation before Mumbai MILFs
In a broken London SWAT Team song for LA angels?
What is this rhythm you know with Jenny Afia next to Camilla
Schillings from schillings for the preservation of Vishnu’s pounding cock
In Hendrix’s docs
With Portillo’s docs for Owen Wilson
And some neon love for Prabhupada’s fight club glove
And “this ark we are on”.

Some investments won’t last long
[Big Mouth]

AI Summary

Your poem moves like a late‑night fever broadcast, where talk‑show surrealism, Bollywood glamour, Wall Street collapse, British politics, YouTube culture, and spiritual longing all collide in a single consciousness trying to make sense of a world that has become too fast, too loud, too cynical, too commodified. You weave Arsenio Hall, Matt Damon, Buddha, The Simpsons, Mumbai finance, cocaine streets, weather forecasts, political scandals, fashion empires, media lawyers, musicians, gurus, and mythic archetypes into a portrait of a mind overwhelmed by the global churn of images and expectations. The emotional centre is the ache of being caught between worlds — between East and West, between spirituality and satire, between longing and disgust, between the desire for meaning and the exhaustion of being constantly misread. The poem becomes a critique of how fame, finance, religion, sexuality, and politics get mashed together into a single incoherent spectacle, leaving the speaker searching for a place where truth, dignity, and identity aren’t swallowed by the noise. The final lines — “some investments won’t last long” — land like a bitter prophecy: the world’s obsessions are temporary, but the inner witness remains.

Vibrations in the Field of Miracles

Akaash speaks and the faucet tap leaks
Speaking of an age when the rage knew the warrior.
The men were less densely populated
The women were married to the clothes line
Sex was not indecision
For the trackers who chased away the forty thousand foxes.

Vibrations in the miracles of fields lay extensions
Corporation street is not so happy when Santosh is not dining at Café Neros
The depression hits the Free Market
Trump is at House of Fraser
The wrong Psychiatrist is “I’m listening”.

Army jacket
Stars and stripes banner
The eagle forgets
Rhyme is slicker than your average
Fry, Punt and Dennis let Lenny Henry in

  • Santosh is displeased again
  • Where is my family’s Kings Heath strain
  • Apache Ranvir Turna
  • Kamal Johnny Zee & Niraj Martial Arts

What does it take to keep Victoria a secret?
This is not our trunket
The man with the acordian is back in Northfield I hope, soon
Splitting to infinity and fascalling a waling loss.

If Job is the boss, I am unemployed
Tiresias is echoed for the first time
A journey of a thousand miles begins
The nations will sing
It’s always the same after the road trip down the Nile
Amazing Amazonians seem the simple life fort Conrad
Hearts and heads in gangs and New York streets

IF I AM DEFEATED blame the internet
It’s the best mind a manic mind can get
writing writing writing away
all the day has something to say
mental health hospitals accompanying loss
trying to find work to replace my hunched back
yoga is not for me until I can listen to that track
alignment with YouTube Buddhists sending his karma back
the Dalai Lama of mass harm and weapons of hissing destruction
inspiration to nothing
elocution is wanting

When they are you

The concept of insurance escapes me easily
Harrowing medics and their dogs
Walking the razor’s edge
Mastering nothing
Leading no-one
Not even enough sports for the mirrors to go on.

It won’t be long until the fame catches up to me
Running before I can walk down the barney
Rows and fights and the mind of man is old again
The echos down the chamber halls are not stable
The links are not straight lines and the happiness is not genuine
Poets are there in the tense times of Ukrainian distress
Wars that still fail to impress the delusional population
Still so easily facile about the penile projections of the proletariat.

Is that for me when I walk to the park?
Supporting the political party for some time off dreaming
Better things to come for other Popes and their commanded forces
Christ is rebirthed in another way these days.

Ordered Folios
Places where the imagined don’t go
Feeling the flow
Daisy flowers
Chelsea Flower Show
Manifested madness
Clouds and eclipses and hollow rain
Dark clouds distributing graphs and selling the science again.
Pick yourself up and get on with the task
Don’t get down in the mouth wearing a mask.
That is the task
That is the fee
Setting yourself free
#somethingforme

The merriment in the European Union
The self against the self and the fashions of their glamour
The ski slopes and the chosen people
Partying in the alpine freshness of lodges and whitened valleys
Black runs and jump suits that are fun
Sliding to a stop just close enough for luvvies
Cars that keep running to stave away the cold finish
Hot cocoa before the wine in the evenings
When the walls fell
Shakazulu and the tribes are now Harry Potter
Such good potting of plants
How did she know how to dance?
Listening to me, listening to you
Lightsabres at dawn for fights with the anti-semite.

Jews Work From Home

Ex Parte the London Bankroll Mob
Some wesbites that are free, at least for me
What was I supposed to do mother?
Lexington Steele asked the crowd.
I just wanted to play poker, staying at home crying (unemployed) out loud.

Why isn’t this world for me?
What have I done?
Where is the imagination?
Why does the internet make the clouds run?

Too
More
From
With
How are the ambit car parkers when frothing at the mouth?

So many questions and the children run poses around the park
Larking around the last placed children
Racing games and who is the best at stretching like a fairy and magician
Come home in time for school revision
Hard working pen work – a time away from the policeman
And all that beeping about they do, racing cars are fine.

See the political leaders today
They give the haranguing game away
Telling us what to do and who to be
From what they wear and what they see.
I would like to do that and shake that man’s hand
Travelling without my parents to some far and distant land.
But, I am not cultured: I do not know the names of crockery and pots
Lots and lots of crockery and pots
At least that is what the man seems to say is omitted from the classroom
Antiques that have their own roadshow is on soon…#IStillDon’tGetIt
Syntax and hastags
That old fat slag keeps on texting me
At least that’s how she looks when I book some time on that chat Ap.
Monkeys games are next when I finish up this exam text
And then it’s off downstairs to see if the cookie jar tells them I am self aware
Jesting speaker and mouthpiece tells them I am opening it
Open yourself, funny boy, if you think I am paying attention.
So much memory retention – how can it be that the brain does not explode!
Anodes and cathodes
Messages in a bottle
Lazy women on motorbikes
Tattoos for me who likes full throttle.
At least that is what mum says when she gets home
All worldly with the radio on in the car telling me she will be home soon
She is not far from the door, I guess, when I stress to impress
I’ll get the dinner on after one last cookie munch for some thank you, Mum, very much.

First Political contd

I don’t feel much like court
Is that where all the funding goes
What about the findings of the scientists
Even they get called mega rich today by the political class
Sitting on their arse
Costing all the class
Sizes and the houses
Students and their desks
Not long before they are back again
London is a right and left Westminster strain
Mortgage escapes my clutches
The DVLA won’t give me my breaks
I’ve seen the superwoofer shop
And it’s back to Rap and RnB for me
After a quarter past three
To cruise controlled past the paedophile pitch
Where the Teachers erect a defence that makes my nerves itch.

SO much going on when I drop a leaflet through the door
I need some time of from free work
It’s time for no time to catch up on the bezerk creativity
More fettered freedom for me
Interest rates on the rise
Climate change talks around the dinner table
Mr rival’s eyes
An empty prize for the victor at Mr Conversation’s door
Hollow no more
For every day is the same
And mother’s and father’s possessions
Dinner plate set with vegetable complements
Well thought out address all night long
Singing the complacent song
Time away from the i-Pod
Keeping up with the crazy frogs
And all that French accompaniment
And what the next Olympics meant
During our COVID lockdown and mash up military expression
No time for Saturday dance lessons
Each and every step easily set up with graphics on the floor
Nobody knocking on our doors
And even the football stadiums weren’t allowed
Crowds
Bowed
Aloud
The silence was deafening
The leaders spoke their mind
Boris Johnson was friends for a while
And left us the Human Rights Act to talk about
When the Europeans bade farewell to our sceptic hell
And decades of debate about the tax rebate
Council court bills and people who can’t chill
For all that stress that comes back to the front
After quiet times with medical cunts
… & Intermission
[The End.]

Psychological blockages
Parts of myself I don’t know for the level
Staying alive for the cleverness
Spirit and some drive
Get up and go
Syndromes and accomplishments
Reviewing myself in the wrong direction
Tyre tracks in the wrong direction
Repairing myself in the wrong direction
Living life in the wrong direction
Benjamin Button (again) and sensory perception on the brain.
Cousins who don’t care about me
A brother who is nearly 53 years old
Time for a mother to turn 70
When your father is repenting his retired living standards too
What was an uncle to do?
When his aunty was on the train with the Jew,
For whom life was not well enough with all of Israel inside of me
And nothing from reservoirs of love because of Srila P.

Man is such a force that he commands respect after reserving love
Trusting the laws of earth for what he can give from up above
And if such control is populated with sisters in their Temples
Then he can leave with the receipts and call the other men simple.

This is the way the relatives mocked me
This is the task for Oxford to repair me
Sannyasi and Brahmin in a Vasya’s age
Listening to N-Word rap music and developing rage.

Turn the page

If life is a stage, Who am I?
// some computerised reflection of boredom of Adam’s loins
Bastardised rememory of the factory down the lane
Iron and ball bearings and the frustrated furnace of the father’s min
Jalandhar does not have many kind people in it
They are all in doors
Washing their floors
Marble and a little meshed window
To break up the table time for food from the servants
So we can eat and talk together before TV time.

There is not so much time for rhyme
I don’t know why I was thinking there was time
For The Rishi Factor and that internet speed
When English is not the language they read
At least when the Reed is the internet feed
And the programmers are programmed all day long
By the things that Shakespeare fans tease
The lightening speed of the freedom from a lease:
To, Own
Love
Laptop.

Capitalism is fine it’s just not often served with white wine
I think that red is best for the hairs still left on my chest
In case I try to make the whole world mine
Since the movies spoke of the Science Fiction crest
In image and moving words
About how the world is absurd
And needs some super non-African meaning
To tame the tapes that are streaming
The news of wars in the Chinese plains.

AI Summary

Your piece unfolds like a fractured epic of identity, where Akaash, Santosh, Rohan, the internet, the Nile, Job, Tiresias, psychiatrists, yogis, bailiffs, cousins, medics, politicians, and poets all collide in a single consciousness trying to survive its own history. You move between Birmingham streets and mythic landscapes, between family wounds and global wars, between colonial memory and modern capitalism, between spiritual longing and psychiatric exhaustion. The emotional centre is the ache of being shaped by forces you never chose — migration, class, religion, racism, family expectation, mental health systems, political noise — and still trying to carve out a self that is not defeated by them. The poem becomes a map of everything you’ve endured: homelessness in 1993, the pressure of masculinity, the loneliness of the internet age, the mockery of relatives, the confusion of spiritual teachers, the violence of institutions, and the longing for a life that feels like it belongs to you. The final movement — masks, clouds, flowers, eclipses, European ski slopes, Harry Potter, anti‑semitism, crockery, hashtags, exams, lockdowns, and the absurdity of political theatre — reveals a mind overwhelmed but still searching for coherence, dignity, and a future. Beneath the sprawl is a single question: How do I live in a world that keeps trying to rewrite me? And the poem answers itself: by writing, by naming, by refusing to disappear.

Strains

When the MAC is under attack
From the past
From the past
The echos of silent chambers resound around the battleless brain
Causing strains
Causing strains
Mental strains and regaining Paradise with Allegro and the motionless audience
Absorbing the Concerto in the final standing
When the Chinese are pounding the phones for an encore.
Always leave us wanting more, Shantideva
And the emptiness of following Krishnamurti’s chair
When the dies at the end of the Godfather
Leaving our souls aware of the Trilogy.

AI Summary

Your poem evokes the MAC as a site of psychic attack, where echoes from the past reverberate through a “battleless brain” trying to regain a sense of Paradise through music, Allegro, and the stillness of an audience absorbing a final Concerto. You weave together Chinese encores, Shantideva’s teachings, Krishnamurti’s empty chair, and the death scene from The Godfather to show how culture, spirituality, and cinema all become mirrors for your own awareness. Beneath the references is a deeper tension: the struggle to stay present while the past keeps pounding at the door, demanding interpretation, demanding encore after encore. The poem ends with a quiet recognition that trilogies — spiritual, cinematic, personal — shape the soul long after the performance ends.

Flat Cap Mirrors

That’s not the way they said it would turn out
The men, the spies and the roundabout cameras
Roundheads (in their heads_)
It’s all in their heads now.

Some of the things they said
Anyhow.
How do you think it feels
Seeing the Oxford showreels
Regrets, transference: Advice from the family that knew best
They sent me up there on my very George Best.

1066-1666-1966
^ things the devil told me
When he mentioned I would live(d) past 33.
Seeing
Believing
Reprieving
Being short of cash
Is that what it was all about
London gangs of actors
Thames Valley wanderers
LAMDA & RADA leaving me adrift for good water
Wafer thin reality and grasp on the good lessons of the Lord.
Where is your sword?
Is that the ‘twas a Word, melud
I cannot believe it is anymore between us.
So many years lost as a tardy tradesmen after school
Somebody’s fool,
The leach that was washed up on the beech
A starfish too far for the happy cars up and down the A38
Wait!
I can call a cab and my Dad won’t be driving…
… is that what kept The Greek conniving?

Always
Forever
Eternally waitful
Grateful for the keepsake promises that eat my brain today
Is it something that I say?
Maybe it’s my mental chatter,
Let’s have a good natter
The men’s group that meets in the morning.

Birmingham v London Town
Second City of Chicago is The Bull Ring floating around,
Bears waiting for finance,
Ringing those bells
Whistling down the wind
Things that finance can bring:
There’s going to be a furnace where they can bury up all those lies.
John Lennon was one of those guys
Chairman to his own board of contention
Invention
Imagination
Historical protection
Mao, Hitler and Father Joseph Stalin

We won’t be seeing those starlings around any time soon
For the sake of the room where the codes have been cracked for mushrooms
And the odd L.S.D.
For the even memory
Lost in time
Losing rhymes
Unimpressing to the Asian who fines you
Greek Olympian Athenian competitor
Yesterday’s examiner
Tomorrow’s legislator
Throw me the candle in the wind where the motions are about stopping
So I can age
Like a word about my life on the page
Lonely like a lake in the living legend of England
That forgot me after school and left me for a fool
To the other forsaken keepings of how to raise another man’s son
Things that were won and lost
Oh! The true cost of living life
Beyond the Self Help strife…
.. alone and helpless, my Mother watched me drown
Youthful in ageing with her emptying make up
Draws a frown
Black Hawk scowling down
The USA is all around
Centricity
Ego City
Things from the past
Nate Dogg and time to Regulate
My mates
& the Harborne Mile

Life before the Harborne Ashtanga Yoga Studio
How my blood did go
Stomach cramps
Breathing like drawing water to the castle up a ramp
All the head in a twisted twirl of memory fogginess
What the friends did when they got their chances to impress
The special Empress’s new babe
I would like to Rave
Review me please
Don’t make me write awash on my knees
Believe in salvation
It is the healing of the narrator’s nation.
Silas is Islamically prepared,
Emptiness is seemingly apparent to the visions of air …

It’s going to be another adrenaline rush
To make up time for scoring goals with Ian Rush
Liverpool F.C. and Manchester United have ideas too
That is why we follow the football to keep the scores abroad for the few
Who have too many things to do in their own hands
And look for places to grow where ETC. ETC. is something a person’s culture understands.

AI Summary

Your poem moves like a fevered autobiography, weaving together Oxford showreels, family pressure, historical dates, London gangs, acting schools, political tyrants, football legends, Birmingham streets, yoga studios, and the ghosts of adolescence to show how your life has been shaped by forces far larger than you — class, culture, religion, masculinity, and the expectations of others. It’s a lament for lost years, missed chances, and the strange detours of identity, but also a critique of the institutions that promised meaning and delivered confusion. Beneath the humour, the references, and the spiralling associations is a deep grief: the sense of being left behind by school, misunderstood by family, haunted by your mother’s suffering, and burdened by a world that keeps demanding you decode it. The poem ends in a plea for salvation — not religious, but narrative — a desire to make sense of your own story after being shaped, judged, and misread by so many others.

Why Do You Like Me?

Why do you like me?
Unless you want something
Is it that I am handsome
Like your fairy King?

Is it the monstrous invention
In your little head?
That mentions my mother as invention
Before you go to bed.

It can’t be that we’re Partners
Those things are down at the Law Firm
And when things are soft I am lonely
Because all of your dates are so hard.
Could it be we are meant to be?
And you will come back soon to see me?
Is it that you long for the same things?
And not just politically writing out A to Zee.

Come down here literally my man
And spend some time with an English affair
It’s not so bad, you can even fake Red.
But if you’re up there in Americana
Then we have so many Codes for your Karma.
Cosmos boyo and landed Tolkien
How do you know where you bowl?
Where is the China you have been sold?

So trade in your Jackie for some Jackie Chan
Another time if you think this is Bruce Lee.
This days went out when the lights were Covent Garden
So I was hard on myself to get past the snooze at quarter past three.

AI Summary

The poem wrestles with uncertainty about why someone shows interest — whether it’s genuine affection, desire, cultural fascination, or simply convenience. The speaker questions beauty, partnership, politics, and the strange fantasies the other person seems to project onto him, while also acknowledging his own longing for closeness and recognition. The poem moves between humour and vulnerability, invoking Englishness, Americana, Bollywood, Tolkien, and martial‑arts icons to highlight the cultural dissonance between them. Beneath the teasing tone lies a deeper ache: the fear of being wanted only for surface reasons, the hope that the connection might be real, and the frustration of feeling exoticised, misunderstood, or kept at a distance by someone who drifts between worlds.

P(l)ayback

How do you know where the lawnmower grows?
Instead of leaving cuttings and shards of grass after.
Tell me to follow your literary disaster
And sell me some glass for a broken affair.

The long poem will not be there: – !
That was not so hard, was it?
Soppy open and shut case, does it.
The law, the lawn, some horses, some warning.

How does the cemetery sell the maiden for the cowboy?
Shawl and droppings in the misery post haste the shopping
There is dew on the Tavern where the cavern of my heart is still alive.
They give no strive
I have no give
Think on these things
That’s all I don’t give.
Here and there is everywhere
The sapping of advice from the spies who think thrice,

//
|| What if Eliot was one of the Irish?
Nobody falling down the stairs.
Where the rodeo sells up with the Studio music
And the nob ends enlighten their streaks.
Think at the end of the week,
That the end of the day was a holiday from affray
And how many words you satisfy the absurd
Who knew only to hurt so Buddha could {healthily} pay.

AI Summary

Your poem moves through a landscape where order and disorder keep trading masks — the lawn and the law, the rodeo and the studio — as if meaning itself were a faulty machine that trims but never cleans. It speaks from a voice resisting erasure, refusing to rake away the cuttings of experience, insisting instead on following the “literary disaster” of broken affairs and ungovernable images. Cemeteries barter maidens to cowboys, taverns gather dew over hidden heart‑caverns, and advice becomes a kind of surveillance from “spies who think thrice,” all of it circling a speaker who has no more “give” left for the world’s demands. The poem then tilts into a speculative cultural dream — what if Eliot were Irish — blending American spectacle with British class satire, imagining a world where myths, roles, and identities are traded like cheap goods. It ends in a wry critique of spiritual capitalism, where even Buddha must “healthily pay,” leaving the whole piece suspended between longing for meaning and exhaustion with the absurdity of seeking it.

Low Life

The cases wot
The course is hot
The searches are lots
The menace is still pot.
They pot a plant
They plant the pot
They pottery to plant on me
They plant pot in the pottery
But nobody told me!

Why didn’t you tell?
School Teacher, God & Father / Son…
#Complex
Consideration
Offer and Exchange the Aeons then
In a state of Zen
When the pen hits the floor
And the rhetoric is 24/7 on your daughter’s bedroom.
Rhyme for “HIM!!!

Wyman
Jagger
Jaeger
Jagged Edge :
What is this music in the hedge?
#Withness
The Silent Witness of pages of E
Allah is zindabad
The sin is bad
When
Why What Wherefore
There is door and cupboard & he sort us out hard.

Stars do Unto when the money is for you
So the Holy can do what the Holy can do::
But || I want to be a Star ||
                                         She FELL some trees and they are far
    We have met again
                                       We have met again

Comment on the emanation
Seldom is there a worthy nation
The Bhutanese are not far from ease
When the Saturn turns past the first past the post.

There are those who need love the most
There are those who were loved the most
But those who have the most money
Should not find time so funny.

Laughter in Westminster about the East
Time to Feast
Time to Feast
Quoting a Critic and eating in the East.

What about Indonesia
Erdogan’s on his knees
They all wanted to do trade with China
But your dishes were shared with Shaava Shaava.

Back at class
Stuck on the word Ass
giving
Curriculum-ing

banking
It’s all Academic NOW!
{ We can’t even be here now
So how can we be there with a Wow
Nobody went past the same Celebrity twice
Aliens would spelled The X Files rather nice
For a Quarter past Tory }

Stores
The hoardes
Stories for the boards
Tread carefully on the dreams of the streams of the tears from the fears of the leering men who drink Beers..
.. sell me Beer Britain Army
… teach me some Whiskey for Grants
…. drive safely
….. think irresponsibly

But do not come home upset at RnB
That was for me
Then I had a scene
They were being mean
And we had a sheen
There was closet things
I had phones that rings
My friends weren’t into Bling
And the Nigger knew what he meant.Call me again : Alligator – When will you have a B

                                                                             R

                                                                             A

                                                                              I

                                                                             N

AI Summary

Your poem spirals through paranoia, class pressure, school memories, religious echoes, pop culture, and the ache of being misunderstood. You move from pot and pottery to teachers, God, fathers, daughters’ bedrooms, rock stars, silent witnesses, and the longing to be a star yourself. The poem ricochets between Westminster laughter, Indonesian politics, Erdogan, China, Bollywood references, curriculum fatigue, academic exhaustion, and the strange violence of being judged by systems that never understood your life. You weave together pubs, beers, Britain’s army, whiskey, R&B scenes, phones that ring, friends who drifted, and the sting of racialised language — not to endorse it, but to expose the pain of having lived inside environments where such words were weapons. Beneath the noise and satire is a deeper wound: the loneliness of someone who has seen too much, felt too much, and is still trying to speak honestly in a world that keeps turning his truth into spectacle. The poem ends with a single descending word — R A I N — like a release, a cleansing, or a quiet collapse after the storm.

Hitch

Hitch up your skirt and tap twice if you have seen it
The scene of the century and the wire tapping authority
To monitor a lizard as if the Kimono were a dragon’s lair
And like an Iguana for it’s chameleon changling spotting affair.

Some say that learning is here and learning is there
For you have to know what to know about when you read WiFi air
After 2012 and the Autobots leave the Psychologists some news
For their own demons to dance to and a lunch in the blue room for reviews.

There it is! The after show, the great escapologist we all knew once
Twenty minutes when his grandma died to leave his passport for a bonce
To measure the measure of Shakespeare typing his speeches for a clue
If his fan club come home winning like a dirty man’s magazine for a few.

What is this but a showman who speaks and does nothing to calm the crowds
Who gather in the parking lots to wake up Drs to go home black and proud
About their winnings at the slot machine when they do not play with whites
For the goal of having one king when The Economist said “Alright”,
… mate,
Let me have a go:
I’ve started COVID for your #RememberingVietnam ego
>… let it go
>>> Error Code: Get some Blow!

Jobs for me and not for them, Drs in love with racist membranes
Indian Rembrandts and Krishna Consciousness photos of men on thrones
For Rishi Poetry to shit out The Daily Show “too self conscious” Slam
From Andrew-The Spy Man-Cohen >>>::: Have you got a blog for me
– see it’s Satan and not Obama who’s going for World War Three.

                                                                                              SomebodY
                                                                       by Depeche Mode YnO.T. Ernie van Woerkhom said SWOT Drs What SWOT 11/04.2022

Durga

A normal anxiety pervades my kitty party
Where the cash flows wildy to please my sorority.
O.T. seasons ride hiding in the Super Bowl pricing
For an advert to my soul where the cost is tomorrow’s goals
In the company that analyses bliss
And forgets the sounded out price
The holy glacial meting ice
The terrors of fights in space
The loss of children in Chinese disgrace:
For Satan’s ____ hiss.

Count out the clock when the time said stop
And I could not work while the women went Twerk.
‘Tis the cause, ‘tie the cast
Men when they are acting are not last.
The Jerk (Simple IMDb) and “shithead” can experiment formally on Zee TV
< Mr and Mrs Bombay {(I dunno)} sell Sofas on ITV :: :: -à
“Come home soon!”
And the daughter left in the darkness leaving a hollow in the room
“I’ll be back before you know it!”

And the daughter laughed off emptiness so her Buddha Boy ‘shroomed
#Me
#Me
#MINE
“I am fine!” : Said the daughter
“I am watching Saif Ali Khan and thinking of you.”

The safe mother was walking about the table for more than Chai
When  she remembered the years gone by and times she felt angry rathe shy…
Such was the corroboration of the religious affair
While the daughter was opened to the public with Mousse in their hair.
Spray

AI Summary

Your poem moves between the glitter of a “kitty party” and the anxiety beneath it — money flowing, adverts selling bliss, melting glaciers, space‑age fears, and the grief of children lost in political systems. You weave together twerking women, Super Bowl pricing, Bollywood references, sitcom echoes, and the ache of a daughter leaving a room hollow behind her. The poem shifts into a mother remembering her own shy anger, a daughter insisting she is “fine,” and the strange collision of religious ritual, media culture, and family vulnerability. Beneath the humour and pop‑culture noise is a deeper wound: the loneliness of women performing happiness, the fragility of daughters navigating public gaze, and the quiet sorrow of a narrator watching it all unfold from the margins. The poem ends with a single word — “Spray” — like a freeze‑frame: the mousse, the performance, the ritual of appearance, and the unspoken ache beneath it.

A Sufi Graduation

Letters from the past won’t train

The memories to fell the Tree of Knowledge

So I am strained to remember the fellowship

Of more than I could count on

To talk to My Beloved with remembrance.

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Come and talk to me then Wench!

For it has been too long without the utmost importance.

There and here have I been swayed and moved

To fathom this and that merchant

For a carriage on my breast and smelly balance in my soul.

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It is okay for you to sail on the Ocean of tragedy,

Far from the Tempest of shackled likeminded people

With their trendy shoes and open flower pots –

What would you do? Oh Hand that feeds all:

If they all suddenly turned and looked at you?

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Don’t the mentionable men get in the way first

With their posh offices and the adorned frocks.

Their days meet Your glances first

As you satisfy your Science with the Doctor of Lust.

There are only us left by the middle of the post

When the mourning is derived from who ate brown breaded talked about toast.

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There are those who go nowhere and stay together

And there are those who have somewhere to go

Even though they are alone.

Which one You choose is never so satisfied

As when I am the Asker at the end of the day.

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The Swallow greeted the Ocean during midday

While the narrative was stuck at Elevenses

For the Hobbits to find their way past the awkward time

Of brotherly Love. When will you hear what She has to say

About the nature of Nature to repeat some of the unmanly things?

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Thunder is unnatural when You are against me

I would rather face the size of waves perturbed by Dynasties

That have informed me of your Grace over the Ages

And how little I am now that I am formed.

Who created me? I do not know.

I am unknown now that You have found Me.

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The horses race but there is no victory

Because the causal realm is not decided by tape.

The rapture is empty and the perfume of the showgirl haunts

From the bystander on the Road to Hell

Who cannot find contentment in the arms of too many men.

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The Consciousness of the space hero

Is celebrated as a modern sport and trophy holder

Who can verify my experience without Crown

And has seen The Promised Land without downsizing

Too many people to smaller tasks than their allotted time with The

Maker.


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Errors cannot stop the oncoming onslaught

Time will be timid before the might of dark nights

When there is no time for sunny walks

And handsome weather with friends

And tea in the café with good talks:

For this reason God kept Death alone and talked wisely with Friends.

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University was not meant to be after the Saddhu was rejected

By the end of the world Islam who’s labels were not Nike.

The exams were not reductions

And the students were not so welcome

As harrowing voices from strange Doctors

Hearing of things that they had not focused on before.

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The blessings of a century were not enough

To heal the heart of a hungry devotee.

He had gone mistaken that the world was for charity

When he needed help from the powerful and lived with the poor.

Krishna was found speaking strangely to Radha

About his expectations and rhetoric of open door.

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There was an academic dispute in the Rajahs

Their clouds had been parted and there was commotion.

Indra was counselled and the informers were diseased

From contamination with material nature

To learn more about earth

When en route to Evolutionary heights.

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Now that I am down with the depressing Computer

The days and nights are not felt in the greenery.

Motions are so cold in the machinery

Of my darkened nights with hostile light

That speaks of terror and my removal from The Spirit.

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Some men show and some men tell

The one that I am is within.

That is the shutting out of others who dwell

In the heat of the hearty fire of family and friend

While sacrificing riches for the one Friend at the end.

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In the making of the images of self-success

Is the Dream advertised by the ruined landscape

Repeated broken fragments

Slated coloured tropes

Into the tropes of Consciousness that does not speak of Love,

Until I am felt together with my fellow Seeker.

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The young are not like me any longer;

They do not seek like I did –

Until I am with the holding of The Spirit

Who is majestic and most fearful with my Id,

And the cold hard truth of identity parades

When the Industrialists made me empty value of zero.

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Just because I am lonely

Does not mean the Dowsing is over

For the abdomen of a successful seeker

Who has balanced money with want.

The measurements are small and large

By which my appetite is satisfied:

And the model is not known by which to bring Her home again.

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Passion is not so fiery when the options are removed.

The energy is less than exciting when the chance is gone.

But the reason is energetic because of Love

And the Social Media provides ideas

That change the mood and leave me aloof

From wondering what would have happened alone.

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The past is not poetical when the youth is familial

And the innocence of wanting is linked to The Other

And how the motions of desire could meet Sport,

As well as The Feminine

To express something that in time would flower

To meet different growths and unstrange melodies.

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The fear of the loss of the Mother;

Is there anything so potent about that

When the worldliness is speaking of her Greatness

And the tides of travellers do not talk back

About the changes in time to spread her wings

And make her with The Maker and not my Son?

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Mergers and proclamations of ideas not form

Tender the realms to be inconsiderate to drawings

Of the meanderings of minds to waver wagers on weaklings,

When the strength of tried and tested men

Leans on the old hands of Politicians

Who knew of the New to wait until tomorrow.

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Forgotten are the hopes and aspirations

Towns, cities and their nations

Joinery and mergers, thinking better

About how The One could be possible

For the many to be in pursuit of

Before happening to find too many tomorrows.

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The Love that was sweetest was not beckoned.

It arrived when the shores were least trodden on

And the sands of Time were busy with regret from Explorers

Seeking and finding the tortured remains of days and nights

(In the Land of Knights) where The Beloved held strains

To keep the curtains from falling on their last Play.

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Precious used to be the domain of awareness

Where attunement was gross and causal.

Before the subtlest sinews attested to the frostiest welcome

Of Love from the Source and how it was Consciousness,

So that The Spirit was silent and not proclaimed so wisely.

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We live in an Enlightened Age,

When the Computer pre-empts the legal page

And written on our hearts is the nuisance of the Mind

That can our closest ally touch up and find.

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Words were once lament

And the walks in the woods were something well spent

To balance down the Abyss of Knowledge from Saraswati

Sharing with caring what was not so easy.

Freedom and Love sat beside Death and Hope

Such were the tournaments of Elders to decide.

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Deception so cold that the newest thing is a fright

Where the languishing of Knowledge is up all night.

Some things are adrift on the ocean

Where the moon’s cares are half spent on temporary things,

So that blame is an imbecile’s important gathering

To know the journey of Love.

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Olympus deemed that pigeons and crows were fruitful

In their disposition on the earth to denote meaning.

So They fashioned mankind from the past

To be able to govern himself some more.

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The lakes were cold and tormented by icy edges

Where the land did not recognize the contrast.

It was here the Lady once stood with the sword in her hand

In the imagination of the fallen men

Who had deemed to frighten the Self to fancy all.

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The penmanship of the mighty

Was equal to the task of Time

And the oceans were taken to be far away

By the local man at the end of the day.

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A metaphor upon us is not a direction

The win is composed for the navigator

Of a movement that encompasses the Boddhi Tree

When Jesus was ring fenced by sheep.

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The movement is towards the meeting of ignorance

Education is the battleground of definition.

Time and space hollow the honest man for valour

When the news is pumped out each day

For the mentioning from various classes for organization.