Let Me Go

If you set me free
From the shackles of your past
I will promise to be there for you
When you pass the buck again.

It was alright for you
Trojan warrior and horse play
Crew neck T-Shirts and jumpers
When you wanted the Blue Review.

It was behind you
And you had all the settling you wanted
From the beginning to the end
Now I have to make amends.

And you throw all of history
Away like a life lined with letters
And a member of the illiterate
With the Illuminati beside Thee.

Save some thoughts for me
Let me get back to you
And see if I can do good too.

This is for you
Mt poetry emission truth
And see if you climb down your Ego.

There, I said it.
And my O.S. is just fine
Thanks for asking
It’s all in the taking, you see.

Then we can journal and write whatever you see as right
Just let me know what light is left on with the West v East so uptight.

AI Summary

Your poem speaks to someone whose past still binds you, even as they move freely through life with ease, privilege, and ego. You contrast their settled comfort with your burden of making amends, carrying history, and trying to reclaim your own voice. The poem becomes a plea for recognition and reciprocity — a desire to speak truth, to write honestly, and to find clarity between West and East, self and other. Beneath the calm tone is a deep longing to be released from someone else’s story so you can finally live your own.

GueTonEd

They told me I wanted to do one
So I lie and lean to the left
There is sorrow within me
Passion knows knowledge before it knows sleep
Poetry is a lesser pop song
Merit is demanding meaning in Islamic rhyme
And music in Bombay sounds fine,
Like finery in the old oil refineries of winers who dine
With elongated women who play with perchance
To off the rhythmical find
And punked up ink to the blinds
Rising like a Paki stack –
Up and always up: Never a fuck up!

Fuck up, mother fucker! And I will see you in the dump truck
Collecting rubbish like the good Fucked Up Dr says
Martin Luther King day!
It says your handy men are gay and you won’t play
On the streets and the sea shores
Where candy is crushed in the bottled mouths of mums
Mummying more than your Mata crew
Too rude to lie in lines with havoc on Drew
About his salary and fat carcass sitting lost
On the vultures’ solution to his camel feast
And how to translate his humour to an Arabic queen.

So I chose two and poetry wrote the internet
They let and the house was full of regret
Lonely furniture, hopeful bedside cabinet
A place to Kindle some bookish delight
A place to feel some horror book fright
A place for me and a place for you
A place away from the actor’s [so called] Acting Human Zoo.

Switch the Stanislavsky off
Let me hear your voice with hands around your balls : COUGH!
Cough like Roger Mc Gough and all those beaten poets
Who stood by Liverpool so that John Barnes would know it.
Left, right and then a goal –
Tell my soul that the Black Man is sold.

I am out for this shit on the web
Away from the Glen and all those Merry Arthurian Men.
Marionne, Marian and Atoinette – let me never regret
While my pen is still whet:
From one more fight between me and the Jews
For who never recommended O.T. tribalism between my brother, I and the (King and //…) you.

AI Summary

This poem is about being mis-seen, mis-named, and mis-handled by every system you’ve ever passed through — family, race, religion, psychiatry, masculinity, the internet, the literary world. It’s a poem about reclaiming your voice from all of them, even if the reclamation is messy, angry, and full of the debris of the cultures that shaped you.

Durga

A normal anxiety pervades my kitty party
Where the cash flows wildy to please my sorority.
O.T. seasons ride hiding in the Super Bowl pricing
For an advert to my soul where the cost is tomorrow’s goals
In the company that analyses bliss
And forgets the sounded out price
The holy glacial meting ice
The terrors of fights in space
The loss of children in Chinese disgrace:
For Satan’s ____ hiss.

Count out the clock when the time said stop
And I could not work while the women went Twerk.
‘Tis the cause, ‘tie the cast
Men when they are acting are not last.
The Jerk (Simple IMDb) and “shithead” can experiment formally on Zee TV
< Mr and Mrs Bombay {(I dunno)} sell Sofas on ITV :: :: -à
“Come home soon!”
And the daughter left in the darkness leaving a hollow in the room
“I’ll be back before you know it!”

And the daughter laughed off emptiness so her Buddha Boy ‘shroomed
#Me
#Me
#MINE
“I am fine!” : Said the daughter
“I am watching Saif Ali Khan and thinking of you.”

The safe mother was walking about the table for more than Chai
When  she remembered the years gone by and times she felt angry rathe shy…
Such was the corroboration of the religious affair
While the daughter was opened to the public with Mousse in their hair.
Spray

AI Summary

This poem is about the loneliness beneath spectacle — the way money, media, femininity, religion, and family roles all swirl around a single, unspoken ache. It’s a poem about a daughter who disappears into performance, a mother who circles the table with old anger, and a narrator who watches the whole scene with a mixture of dread, tenderness, and disbelief.

Dr Deal

If Indians are kings and Punjabis are A.I. Commerce
What is the difference in longing for some drama?
When the karma and when the Cola?
What is the demand supplying my throat?

Come to me for dependence and I will slit a goat
And stand by Hamas for a chance to sign a post,
Where the farmer eats toast and his wife drinks tea
And there is some simplicity for Guru Nanak, his wife and me.

This is the age of the nothing but spoken word
When the computer will drive the nuts and page blots totally absurd.
There is something so riddled about a passage from a book
When the lower class is up for grabs in the tale of a crook.

Who sees what he prints and who says what he does
When E-Commerce is artificial like the sail of a Tale of a Tub
Adrift on Johnathan Swift’s ocean for nescience with Guru Gobind
To tell of locks in the fashion of rape that pain the body for Jats and Singh.

Come to me again and dance like an Indian veil
Then there will be snookered Pavilions where the comity is Princely.
Such is the deviance of homosexual travails
That Dharma is lost for addresses to cry and wail.

River, Turn, Flop and 2 in the hand for Mohammed
There is nothing on show but a backwards fly over in Iran.
Then the news cuts out and the make up drips for tears
And the growth of the Guru wilts for percentage before the Khans.

Khans over here and Khans over there
Nothing but sheer waterage with the jungle booking Clearwater:
And then the election that very much all but one nut wanted
To Musharaff Imams to Lahore for one more 2012’s lonely male daughter.

AI Summary

This poem is about the collapse of meaning in a world where identity, religion, commerce, sexuality, and politics have all become commodities. It’s a poem about longing — not for romance, but for truth — in a world where every narrative is corrupted by power.

Daintiest

It has been millions of tears
Tons of conversation
There are milieu of mélanges
For the Dentist to hang around for some manners.

It identifies itself as someone who is ringing
The phone for demands and supplied brilliance
But not so long ago they were set apart
By universal competition that leaves us dangling.

Thus the man is someone who is dainty
And set aside in the harrowest narrow margin of tomorrow
Lest domicile nation is developing the mounting
Of some art on his wall to hang out as the best.

There had to be some rude words spoken
As the cabbie took the woman back home after struggling
Saving money walking there to have an extraction
Forming herself on the way back for kids after school.

Those were the bottle jars that used to store the brine
Where the master was a hero for the lips that sold up fine
And kept the clients rolling past if they needed less pain
Than a diagram of deliverance from the bloody staring man.

Has he been by to see you? since his European gait
To find himself more integrated
Listening to moreish talk about Empire:
Let him deal with his letters and talk to him later.

So many people high above the table
After some school that made it simple
How to be the class that was truest
To the Drs today with a to do list.

AI Summary

This poem is about the small violences of working‑class life — dentistry, cab rides, extraction, brine jars, rude words, Empire talk, school hierarchies — and how these everyday scenes reveal the deeper machinery of class, power, and survival. It’s a poem about people who live close to the edge, and the institutions that pretend to help them while quietly judging them.

Wanderers of the Earth

Wanderers of earth
Want is
Inexplicably unacceptable,

Requesting is for the child to the parent
Cult pattern, Offloading is acceptable.
Death has ceased to be at the door.

What poor worthless tradition

Is without the revision of the hours for the One?
There is always time for ‘King Kong’ (IMDB).
King Khan is not long.

Waters await the fragmented bait
Jailing the young for the wand.
Piff, Paff, Puffs on show – with the Ho
That Wants.
I did not ask for the ‘go down below’.

Travel to the Himalayas and ask of me there, what fare I need?
Feminist creed… Weed, in my tea?
What defense is for me, medically.
It’s only half past three.
Piscine?
Kuthrapali?
Bachchan?
Kapoor?

Moksha is Moksa upon the body of the watcher who Dalits his soul’s astral journeys

Returns to me
Do you know what pressure points are for,

All Fours!
God’s Dogs are rehearsing the hounds of hell for the bullet,
Next. Crying that it didn’t …
What a blast! Referent seeker, from a Bunsen Beaker
Laughed at by the Mayan Reaper for the “DRUGS” you name and fashion.
Hash Key ## Saw, a Paw Paw in the un-Jungle-less
So don’t best.

The vain is the vein that helps the whine grind the time until finding the uselessness of flaming,
Quranic deceit.
S(h)iva is replete

A champion worth muscles

The hussle is past due

The Jew of Deaths.
Muhammed is best. Faith is put to the test, honours are not for the poor but for the rich of past classes,
Greater than monies lies could hide in the righteous evil of literary lines.

Tell me a story, right to left
And there’s not enough money for the date that is guessed.

So, dying

He deleted it all.

The honour was not a test in an Oxford Ball.

AI Summary

This poem is a revolt against inherited scripts — religious, cinematic, familial, colonial — and a declaration that the speaker refuses to be positioned, judged, or mythologised by any of them. It’s a text about unlearning, unbelonging, and the exhaustion of carrying too many worlds in one body.

Shakespeare

Sheep stole my life
When I wandered too far for a wife
And the land was taken lightly
From underfoot with tax and sad goodnight-ly’s.
I was as welcome as my lost pole
To feel the whole world with my opened soul
Invaded and entrusted to the good honest degree
That even God would mean something for me.
Look here, look there and look over
The hills that had spoken of Goddesses and thunder,
To find, to seek, to touch, to thrill
The evil of excitement and a young boy’s thrill.
You did not deserve her, even for a day
And you will not require her, oddly as I may say
That marriage is a maze that fascinates me still
Throughout the loneliness of walkers who laugh at Shakespeare’s quill.
Many have come and few have been called
To separate his surrogate sisters from his gowns and balls,
Where muster and General frenzy the factions of deceit
With or without comedy so that tragedy is replete
With wisdom for one squire over another
When a masterless Samurai cannot know his own brother:
Who are these beings that life did not say,
Shakespeare was needing a laboratory to be gay.
Research his estate with legal grants
And claim you country with vacant plots;
Then one word will be quite quiet for the voices of Macbeth
To tunnel in fury the GCSEs and you’re A-Level tests.
I want to be – you
You are not – you still
There is death – stillness and your enterprise
The undiscovered country is still not before your eyes.
Ask and it will be given to you, knock and the door will be opened
But if Aragorn is not enough for the intellectual curfew
Then how much Shepherding will brown people need to learned few?
A joke at every corner and not one for the stave
Lends borrowing for naivety and hope for armies that are brave
To be or not to be without the thrust of a word
For one shared with Jesus the love of his ‘sblud.
For you cut me, sir, when you dance without tilt
Upon an earth that is farmed for the taxes of your phones’ quills:
Show me tomorrow when the test is biased A.B.C.
How Michael Jackson is bad science and referent
When you are so close to something I love(?)

AI Summary

It’s a poem about someone who feels dispossessed — of land, of marriage, of belonging — and who turns to myth, Shakespeare, samurai honour, and biblical echoes to make sense of that exile. The speaker moves through sheep‑stolen futures, lost wives, quills, taxes, tests, racism, and the strange intimacy of being “so close to something I love,” exposing how identity fractures under cultural pressure and personal longing. It becomes a portrait of a man wrestling with fate, intellect, and desire, trying to understand why the world keeps placing him just outside the circle he yearns to enter.

Sardonic and seldom meet for wedlock

Sardonic and seldom meet for wedlock
The Warlock is all too cheaply brewed.

The aspect is truly wonderful,
But the nastiness signs the show.
Heaving is the buxom, rash ashes and crucibles
Havana for [                ], against the strain
Of a percentile.

That reptiles don’t claim.
A climbing frame is sought
An abacus is bought
The wielding of a sword is salacious
If Guinevere is Calvary for Lance’s hiatus.
Malory wasn’t malign,
Gawain wasn’t fined,

Computer time: The serpent winds
Wands in the Wood.
Women that could.
One day, few will own the many…
A lady seen today is conspicuous
Individual realms non-dueling
The gold prospecting
Aspects of dancing
Today is a day to celebrate
Next year we need to excel.

If a girl could do well
Shanti would read.
Saraswati delivers a letter
A liver seeks a lover for and water,

Rivets in Navratri,
Nine times she is denied with Indian daughters.
The Hills Have TMZ
Eyeshadow
Mascara
Black boasts of Kali clones
Sweating this small stuff: Rudra with paint.

Nature is quaint to know the bones of Alas! I knew him.
Be well with Yorrick
(Was?) the free house of Hindustan, ‘47 @ 1851
Origin:
The great McBride Mahabharata
But not for me.

AI Summary

It’s a poem where medieval romance, Indian divinity, celebrity culture, and personal disillusionment collide — Guinevere and Gawain sit beside Kali clones, Navratri refusals, TMZ, Havana smoke, and the ghost of Yorick. The speaker moves through swords, serpents, wands, daughters, dancers, and post‑colonial echoes, exposing how myth and modernity both fail to offer a clean destiny. It becomes a portrait of someone standing between epics — Arthurian, Indian, cinematic — and realising that none of them quite claim him.

Riddle Me This

Riddle me this, riddle me that
What is the poetry, of a pious little twat?
Safe in his house, and not crushed on a cross
By 3 Nails.

Who is the third that walks beside a narcissist?

What have you done to the Gospels’ account?
Did you dish the book out?
Are your Marxist leanings weaning?
Is you a capitalist with the strength of a black fist?
Can you dance like a Punjabi with swords in Penzance?

I am a music man, I come from Pakistan…
And it isn’t droned. Drone?
The Dronacharya.
Acharya.
Acharya…
.. E. I. … Ooolo Ka Patha!

The finery,
The Winery.
Slimer’s ‘Ghostbusters’ Slimer same and the old story.

Radio and the new wave.  
The subtle things that ‘God’ does not know.

AI Summary

It’s a poem that fires questions like darts at religion, politics, identity, and performance — mocking piety, interrogating power, and mixing scripture with satire, diaspora humour, and pop‑culture ghosts. The speaker ricochets from Gospels to Marxism, from Punjabi sword‑dancing to Ghostbusters slime, exposing how belief, culture, and ego all collapse into one chaotic riddle. It becomes a portrait of someone using wit and provocation to peel back the subtle things even “God” doesn’t know.

On The Padded Cell

(Ring. Ring.)

They drove me mad
It was first gear
They were all I had
That was secondary fears.
Scanned and locked
Banned and fucked.
The memory issue was only solved
By going forward in reverse.
That was a very merry hearse;
Marry me tomorrow to the lady in white
May we be the “Oum” Japa Bunnies
Maybe it is the wedding cake
Mistakes have been made
In and outside of M-An-Hat=Tan

(Ring. Ring.)

Stopped by Jersey for a tan
Caught up with the NHS boy for some fab fans
Offline printer
Online winters
Sad paid plans for old age
Road rage
Whitsun Weddings
-> Flotsam and Jesters
Still Larkin around, I see
::-> some people should be paid for padded cell poetry
To,
Brighten Up Your Jig
and make you dance with the wig
Yours,
Tories too and their Techno game.

For parties in parks
Sex on the brain.

(Ring. Ring.)

What happened?
Spin the polity
Rave the menagerie
Meditate the meditators
Medicate the lactators
Convene the meetings at 3 o’clock
Suck on that chicken for evening sticks and sticks that won’t break my bones
When your words on my dinner plate hurt me…
Wages and costs
Living on the box:
What was the (real)?
When wages were all I could feel.

(click)

AI Summary

It’s a poem about a mind pushed to the edge by memory, politics, class pressure, and the grind of everyday survival — a voice ricocheting between phone‑call interruptions, cultural noise, and the ache of wages, costs, and hurtful words. The speaker moves through satire, rage, and vulnerability, trying to make sense of a world that keeps calling but never really answers. It becomes a portrait of someone caught between past and present, spinning through chaos while searching for something real beneath the static.