colonialism

The Port of Sports

/ rrishi99 / Leave a comment

Candles on the wind

Lighten the Godly passage to Sindh

Where the pains of Spanish ladies

Contour the refrain of deranged grading.

The garden of the grades

Where the blossom is fair in the shade

Of a Serpent’s seditious glare

To fathom a woman’s tressles and hair.

“This is where it will be for me!”

He says under the ignorant Sycamore Tree

With a word as strong as Oak

About his right to fuck hard after a toke.

A token gesture and a reverent remission of cancer’s permission

Cancer’s commission from the Pharmeceutical derision

That the body is his to fatten and flee from

After the farts from Depakote and Deepthroat from Gazprom.

Dark into the night when the oceans crash against the shores

Is the fittest thing, the sexiest Blonde, the holiest Hindu whore

More! Why not sell me your mother to travel on the shared Earth

With wild seas and a few little more than ships from the past

To tell of the wide birth

Beyond the Yugas

Above the Togas

Far from the sticky tobacco and the wives with their stockings and pull overs.

Over and far and fair from the wettest wind

Carrying onto the decks the crouching of shivered boys

Lost to the Port of Spain and the knees that know pain

Travelling men : Back again.

Lost in time : Responsibility is an offered crime.

Crimes that are for me : Crimes that are for you.

Language was thus shared : It spoke of negotiations and upmarket Poo!

Pooh Pah’ing the bandits of the brain

Who mentioned commotion and sold the strain

Of cloth and cupboards and style of Art and affairs

To keep up Consummate Actions so that sexuality had it’s lustful lair.

Proof that Kama Sutra was legal tenacity

And contracts of somatic housing was legality –

They had known us when he had been with her,

So that we could be above this as ours was not theirs…

…

…

… On and on

What a story!

The commotion of The Locomotion

And the trade of The Mona Lisa.

Hey! It’s hay and we have the same bale to make on the shipping

Sell to me your facts and I will fax you some returns.

Burning with the lust to get to the bust from the back bras

And the open bare minimalism of hairs that stand apart from afar –

Show me your Hindu and I will bare a brave resolve

To drink whet and alongside your Islands

Where the unloading is seeing long and Ceylon is my Ramayana song!

Jay Siya Raam!

Ahoy there Hanuman!

You’re my mate with that karma

Since Romantics knew my bonds.

They sold it to me fair

I don’t see why it needs to be sold out late

Now that records speak of the devil

And The Beatles have no first mate!

Still the demons and demonstrate for me awhile, So I can see : —-

—–

—-===++++

— xxxxxx £

$ cost

£Prophet

% Reportage

This is the Spirit of the Age

Again.

{Again is the pain}

And far away is the brain I cannot see on the sea.

These are ships that told of the three line whips

And how Majesty knew to address the dress line

For one or two poetic and rude linearity healthy quips.

AI Summary

The poem is a sprawling, turbulent meditation on history, sexuality, colonial memory, spiritual inheritance, and the commodification of bodies and cultures, moving from Sindh to Spain, from serpents to sycamores, from pharmaceutical cynicism to ancient epics. It blends mythic imagery with modern anxieties, invoking Kama Sutra, Hanuman, Mona Lisa, Gazprom, and Beatles in the same breath, creating a world where trade, desire, violence, and art all become part of the same restless current. The speaker navigates oceans literal and symbolic — ships, boys, ports, storms — while wrestling with the weight of cultural expectation, erotic frustration, and the sense that everything, from sex to spirituality to history itself, is being bought, sold, faxed, or burned. Beneath the satire and provocation lies a deeper lament for meaning, dignity, and clarity in an age where the “Spirit of the Age” feels fractured, commodified, and endlessly repeating itself.

The International Mama

/ rrishi99 / Leave a comment

There are times in the solid room
There is a okay Heraldry in the plastic tomb
Here and there is a fractured glass of a sonic boom

When the ships in the night are frightening.
These are the times when my teeth need whitening
And the lazy Sunday deserves an extra half hour in bed
After a week of working and washing the clothes
So far and so long that the measurements are not dead.

Something for me and something for them
The next thing they ask for is going to be too much.
There is not a bedroom that couldn’t do without a Rabbit Hutch
And more life for my kids stuck in a rut in England on a couch.

Married or unmarried it has to be the way
That Islam is Brick Lane when Hindus like Stoney Lane:
This eases the paths so that wires can be their heads
As Darth Vaders playing Space Invaders when I am gone and dead.

Halo boys on the angelic tip looking for some ink wells to laugh and dip
Their erectile problems fathoming centuries of God,
Because of schools and computers
That told of Blake’s Thel and her encounter with a Clod.

Something for me and something for them,
At least I will be back here again!
With their rotten spoilt karma to wile away the time
And think of good demons who give Satan all their crimes.

Nothing
Everything
Commanding things
Washing things again
These are the ways
Those are not the ways
DO this
DON’T DO that
What a prat
My son is a part prat
Because of Rat a Tat Tat
And all the stocks went splat
Breasts that are flat
Moments that I say “Drat!”
Who says “Drat!”?

When the movies are over after 96 minutes, some Nachos and some cheese.
pLeAsE
AcCePt : My Sons without regret
And let them finish some sand, sex and some sandwiches
So that Sanghrias could help them forget,

The war of Mahabharata 78004
Or whatever is at the door,
When I am not separate from you
Like the Heavenly liar and the Holy Jew.

AI Summary

The poem moves through a week’s worth of fatigue, domestic labour, parental worry, cultural inheritance, and spiritual confusion, all filtered through a mind that refuses to separate the mundane from the mythic. Lazy Sundays, whitening teeth, and kids on the couch sit alongside Blake, Mahabharata, Darth Vader, and the ghosts of England’s immigrant streets, creating a portrait of someone trying to hold their life together while the world’s histories, religions, and digital noise press in from every side. The speaker oscillates between humour and despair, tenderness and irritation, invoking angels, demons, gods, and games as metaphors for the pressures of fatherhood, identity, and survival. Beneath the associative leaps lies a steady ache: the desire for rest, for understanding, for a future for the children, and for a world where the wars of the past — cultural, religious, personal — stop echoing through the living room.

Stumbling Blocks

/ rrishi99 / Leave a comment

As I reach for the shelves in the kitchen by the stove
I am reminded of the terror that is beside the one and only Karl Motherfucking Rove.
To whistle while I work and Twerk the PWNed out of my aunt’s autonomy
And let me know what Masala Gandhi took when he is after my lobotomy.

Then there is the tomorrow man who never comes knocking at my door
Like a lightsaber from Wesley Clarke Jr who is always ready for some more,
Action from The Young Turks in case disaster is what he did
When he said he accomplished missions while playing with Iraq’s Id.

Stop, look and listen as I motion towards the cooking pot
To add my own ingredients from an Israeli object I find quite some hot,
Without the flare of Obama’s arms shipments a few days before peaky blinders
And elections from Oprah Chopra that shame me never to calendar reminders.

Left, right, twirl: It’s as if the beauty queen has moved in next door
And the man with his pigeons next to my garden’s broken fence
Is alight with the prospect of solving the problem of Noam Chomsky’s problem whores,
Whence they came and Whence they will lead off to: The Economic Zoo,

For Greenspan to sap the homo-sapiens and let isness leave us ashamed for a few
More days of Clinton on The Daily Show telling time what to do
With memory and desire when the pants are on fire from the youth
That don’t know what lies can come and go like life for me and you.

Me and you oscillating like a rhythm on the shoes of universal disorder
That soaks me in bathtubs for depression to get back to working life order
Where the nights are full of colour and the days have their dark sides too
And men can call up women and date on websites along with the human zoo.

X-Men zooming in on me and zooming in on you,
Is that what to do when things grow shorter
And life is not a Kalpa for the Chillum within the crew

Chortle and Pantaloon stew in the evening by the Stevenage
And don’t forget the boat rides on the Thames for those remember men.

Somethings are not repeatable.

AI Summary

The poem compresses domestic life, political noise, cultural memory, and personal disorientation into a single stream of consciousness, where reaching for a kitchen shelf becomes the trigger for a cascade of intrusive associations. Figures from global politics, media, war, economics, and pop culture flicker in and out like static, creating a sense of a mind overloaded by history and commentary while trying to perform ordinary tasks. Beneath the satire and absurdity runs a quieter thread: fatigue, depression, the desire for order, the search for connection, and the awareness that life moves in cycles that can’t be repeated. The poem becomes a portrait of a self trying to cook dinner while the entire world — its wars, its pundits, its myths, its neighbours, its memories — barges into the room.

Saying It While I See Part 4

/ rrishi99 / Leave a comment

I cannot recommend
The brain strain to the end
Of the format for the demand
Of how to set up Christian.

Then there is the Flan
And you have to leave Pakistan
To mellow out with LinkedIn
Out of synch and out of sin.

This much it is to try
To work with that Fapohunda guy
Who came to me to say
I’ll make it now good any day.

Mr mister and Mister
Why don’t you talk to your sister
Following every word like a hawk
Not admitting you left the cue ball at baulk.

Some have to reason some have to say
What it is that helps them to work in a given day
Some have to grieve some have to stay
And this way, said Jesus, I am newer than thousands for play.

AI Summary

Your poem moves through the difficulty of trying to “set up Christian” — not as a religion, but as a structure of expectation, morality, and pressure that others placed on you. You weave together Pakistan, LinkedIn, colleagues, siblings, hawk‑like scrutiny, and the frustration of being watched, corrected, or judged. The poem shifts into the rhythms of work: some people reason, some people grieve, some people stay, and you’re caught between all of them, trying to find a way to function in a world that keeps telling you how to be. The final lines turn toward Jesus not as doctrine but as a symbol of renewal — a way of saying that you, too, deserve a new beginning, a fresh day, a life not defined by other people’s demands. Beneath the humour and irritation is a deeper wound: the exhaustion of someone who has been shaped by too many voices, too many expectations, and is now trying to reclaim his own.

Reduction

/ rrishi99 / Leave a comment

He is 1/500th the millionth part
Of the man I used to be in the start
Of a project where the goal is target number one
For the Way & the Hero: ~~

Come to me, now
Sell up your shores on the broken battles.
Those tired machines are art in the dreams of morons,
Who will they know?How will they be counted?
Scene by scene in the anime dream
Poking and toking
Joking about Loke.

Okely Dokey : That’s all they had to say
As the school grass grew wildly
And neither teacher nor parent won that day.
Every day?…
Every, every day?…
Sell me a fuck or Fuck OFF with me!

Switch off, his celebrity.
Change your mind, celebrated kind.
Change our change and spend your kindness,
Retire with us and pay us back for the broken image of Heartland.
What else don’t you understand?

What school was reprehensible – as my fashion was demeanable
Alternative type
Zero stripes
Military drape
Wife of the black man.

You’re a no man again
And I won my pain!
I am Victor next to Malthus
So that St Germaine is my French strain.

Common chill blaines – walking shore to shore as an immigrant talking about the door being shut on Jabba the Hut.
“Hello there too!”
I’m in your grandfather’s house as well.
Come in and I’ll shoot
The Porn is on reboot!

Exclaiming typists style away the YouTube braying of anticipation
Constant present awareness and nondual fidgeting without Capital.
Capitol Hill and the same men chill without Charity day of Chang
For a job that can rearrange,
The Drugs
The Thugs
The Harmony
The Druids and the Balmy Army…

Why do these questions plague me?
Centuries have I waited for a computer
Art is a mirror that makes us look away
It here for modern Kings to have their Thor’s day
IMDb and all that Brie
Save some for me, Lady Anastasia
All the men’s children and all the lady’s Portillo besides the braided bunch of lunch inspired speakers about twice a week instead of God’s sod off day Day Off.

Cough twice if you have heard about Nadia Nyce
Stamp three times if you think Bree Olson would be nice
Piano ties
Eyes that cry
Times like mine
Cooking with Thyme.
What the broth will cum up
When there is one big fuck up
And the acting breaks the Montego Bay railing
Far cry from the fast cars that did the jailing
Save all your pissing for me
When I am on ITV – and the plans for the Spandex hit my Decks at a quarter past the Tree of Knowledge.
Fuck what you were taught in your Daddy’s chair
While he stared
And the Beatles cared
Who dares lost
And the cost is a Valium
In the Valley of the Shadow of Death
Far from the prestigious breath of the outgoing Ujahi
Settlers on the Plains of Shiva and his Pranayama for Parvati.

There will come a time
When time will come to time
So that computers came to earth
Before the woman 9 monthed stoney births.
TV
Baby
Kazapow & ???…///:: Ping Pyao! Bang Bang Bom!!!!!
How long have you known.
                                                 About the Stone.
“Say something so high up there
I’ll be a Yuppie’s mum so aware
Of the rich things she’s driving they haven’t got
And the teacher at 75 who is ISKCON lost”

!Don’t you want my babies
Don’t you want a whore -awe -inspiring man -aweawaw”
——– The End|

AI Summary

Your poem moves through a vast landscape of identity, memory, and cultural pressure — beginning with the sense that someone else has become a tiny fraction of the man you once were, and spiralling into battles, anime dreams, schoolyard humiliations, celebrity culture, fashion, race, immigration, and the ache of being demeaned by systems that never understood you. You weave together Malthus, St Germaine, Jabba the Hutt, YouTube typists, Capitol Hill, druids, armies, computers, kings, IMDb, Anastasia, teachers, ISKCON, and the long shadow of spiritual and cultural inheritance. The poem ricochets between humour, rage, longing, and despair — porn stars beside pranayama, Montego Bay beside the Valley of Death, Shiva beside ITV, Yuppie mothers beside stoney births. Beneath the chaos is a deeper wound: the pain of someone who has waited centuries — metaphorically, spiritually — for a voice, a computer, a platform, a place to speak from, and now pours everything out at once because the world has never given him a safe container. The poem ends with a cry from the deepest part of the psyche — a mix of desire, shame, rebellion, and the longing to be seen without being judged.

Pay Tree Ark

/ rrishi99 / Leave a comment

When the good debt was folded
And the sacred bird had flown
There was one who was Awake
Top of the hat to his own.

They called him Jeff and let him ride
So far to the other side
That the mentionables were kept afloat
By the shopping he did around the moat.

The moat they built in the past
When Canary Wharf was not going to last
Because his kind kindly sung to the Police
Of knowledge that left them fucking Analese,

[Remind me how to spell @ When his witches are in Hell]
, another one of his little fertile girls
Showing me the balance of Time
For the rhythm of a rhyme
And how to Hare Krishna power=share just fine.

Krishna is just fine, thanks for asking
Rama will be grateful for his Shabba Ranks, canal driven man
Down the Maine Street with the Wilberforce treats
Stuck in a traffic jam no matter what Lady Marmalade says next.

That’s EnlightenNext: Up and off there for some Techno=Fest
Costing the coasting Guru Nanak some Repo action
For all his fancy foot action
What was it? At the end of the day….
…
…
Sigh No More and Sai Baba is gone
What was the pleasure in losing his song.

One
Two
And not Zee
Maybe the Charmed twins got up to three?
Who was the Guru – who was the Pen?
When will the showtime get back to the Penitentiary
Internationally Amnesty International planned by me
To settle the nettles on the floor for more than £10.

Come down to laughing out loud
Om Shanti to the quoting men
Speak to batallions raised from the streets
Chant wildly of Ken Wilber eating out Chinese food whenever his old age
Walks
Talks
On all fours
The Missing Link
Guru & some smelly pink socks on The Big Think
Call me a PhD
Watch me Pee
“Can I have a P please Bobby?”
There is friction between us in The Sea.

Fraternity
The final filial piety
Count slowly as you walk away from me
That the hour passes slowly from when we die.
Too shy
Too rich
Too regal
Such a bitch!
Why would you WAG
When you could Hag,

And The Chase screened to Manhatten
The Questions you would like?
Back to Jeff and old man Bally
Down the Classy Junction
For some Gurdijeff and Gurdwara function.
But time is not so kind to all and this is a time to the Recorder
So that when action is in inaction and Jazbaa is spoken
The Fake Alexander is O’Neils at last for some New World Order.

AI Summary

Your poem moves through a world where spiritual leaders, intellectual icons, and cultural figures blur together — Jeffs and moats, Canary Wharf, Krishna and Rama, EnlightenNext festivals, Sai Baba’s absence, Ken Wilber’s ageing, airports in Siam, dune buggies underground, and Gurdwaras beside Gurdjieff. You weave together satire, longing, and exhaustion: gurus repossessed, songs lost, witches in hell, techno festivals, polluted scripture, and the ache of someone who has travelled far through spiritual landscapes only to find them hollow. The poem ricochets between humour and lament — Shabba Ranks beside Wilberforce, Martin Clunes beside Hubbard, Amnesty International beside pink socks, quiz shows beside New World Order conspiracies. Beneath the chaos is a deeper wound: the grief of someone who once believed in teachers, systems, and enlightenment, and now stands among their ruins trying to understand what was real. The poem ends with a sense of collapse and clarity: the fake Alexanders are exposed, the orders are no longer new, and the speaker is left holding the only truth that survived — his own voice.

Ole 2 Gramma (!#@?)

/ rrishi99 / Leave a comment

Load the Sangeet
Dance with my feet
Stray sleepers on the street
That’s not where we meet.

Fanciful debonair desires
The heart is still on fire
For what the TV brought
When the ships returned nought.

How can I be rude for you
When you have the Moon to review
And your conspiracy crew
Is full of their own truth.

Jesus is for you
After you nailed him to the Cross
And told the story for us
Of your yesteryears and wankers’ Tax and Overdrafts.

Shares on the Shaadi
Come over with the Commons
Share the commotion with one of your Literary Reviews
Your just just not going to get the Kiplings cakes on, are you?

It’s always the same
With the Colonial strain
Something feminist and then some chilblains
If they don’t see it for themselves with Dwayne.

Hassle free Texts
Something frilly for your Ex
So I can be betwixt my vexation
Always late for your non invitation.

How?
Brogues.
The lounge.
Lozenges.

// Whatever could it have been
COVID and the streets of CCTV
When the waters were civilized
And more TV passed a Prince’s eyes:

  • For the child he just just could not see
  • When the Willow the Wisp was not I-SPN
  • Heroes see.

AI Summary

Your poem moves between music, memory, and the strange dislocation of modern life — Sangeet rhythms, sleepers on the street, TV illusions, ships returning empty, and the conspiratorial noise of people who think they know the truth. You weave together Jesus, taxes, overdrafts, Shaadi shares, Kipling cakes, colonial strain, feminist flashes, and the quiet ache of being left out of invitations. The poem shifts into brogues, lounges, lozenges, COVID streets, CCTV eyes, and the image of a prince watching TV while missing the child he cannot see. Beneath the humour and cultural references is a deeper wound: the longing to belong somewhere — in music, in family, in history, in love — and the frustration of living in a world where East and West misunderstand each other, where invitations don’t arrive, where conspiracy replaces connection, and where heroes see but do not act. The poem ends on a soft, almost ghostly note: Willow‑the‑Wisp, ESPN, heroes seeing — as if you’re asking whether anyone truly sees you.

Mr 2 Write

/ rrishi99 / Leave a comment

There are things you say I should not say
Like sorry to the hedges I cut on the way
When I sold my shares initially in sorrow
To buy my way out of footsie for tomorrow.

I’m the best, my nation said so
That’s the way that one’s got to go.
#AndWhenImDone there’s nothing left to do
Except folly and old fortune for the Armada Hampstead crew.

Battle me this and cohabitate me with the vacuum that:
Where is the honesty in the open handed approach to the road :-
The road east of Vancouver where the radio check is preapproved
Like a beer t-shirt ripped open for the cover of Summit recovered.

Too easy to shin and far over the older beard to shine
There is a head where the coupling will be diners.
It’s not all sandwiches at Waitrose when the beat is on the minute;
Leave me an iPod when you get the time to be on a zillion.

My Henry Kissinger and that’s the top hat blown
Like the Top Hotel we have not shown with all the shows on far from Noam.
Is there any cover left for the car he is bereft off having not shown foam
For the parties he carries a tune for. Mr Canary and the way back home.

From Siam I have flown and known the airport underneath my feet
Where the Jetstream is some cold cleaners and Mr Sheen for the Air Host’s feat
To jump so many moons to keep up with those Shrooms
And whatever did not Clear while Florida kept Ron Hubbard with Martin Clunes.

Underground with the dune buggies and up top where the hatch is blown
So much more the Saviour, so much more the way back home.
Something for me and something for you
A way to the routine in Jalandhar for the coded cabin crew.

Something for me and something for you
Take anything you like from the top shelf: I’m done with the quarterback Jew.

AI Summary

Your poem moves through a world of travel, commerce, colonial memory, airports, Kissinger shadows, Noam Chomsky echoes, Waitrose sandwiches, Vancouver roads, and Jalandhar routines, weaving together global politics with the intimate ache of someone who feels displaced everywhere he goes. You describe selling shares, cutting hedges, being told what not to say, and carrying the weight of national pride that never quite fit. The poem ricochets between Siam, Florida, dune buggies, Scientology, Martin Clunes, and coded cabin crews, creating a sense of a man moving through systems that never fully saw him. Beneath the humour, satire, and cultural references is a deeper wound: the loneliness of someone who has travelled far — geographically, emotionally, spiritually — and still feels judged, mis-seen, or excluded. The final line erupts from that wound, not as a belief but as a cry from someone who has been hurt by the world’s hierarchies and is trying to name the pain without yet having a safe place to put it.

Lyres in the Mourning

/ rrishi99 / Leave a comment

The lies in the morning
Are nothing compared to the lies in the mourning
That I undergo when I see the wake
Of the aftermatch of what you would take:
Oh Cultured One!

O Scion of Bharata!
Championed you are of so many ages
Have you terrible times to take in my Paiges
#TheREASON I store the castles with plenty
#FORTheMoNeY you would educate me on
When your witches are stuffed with envy.

I have seen you all before
The shoes, the velvet linen and the open door:
The is nothing more than the ships at the front Port
Where the lady’s men come shopping in
And my Country is dissipated by the veritable Gin.

Ahoy! There – Condom’s Mates & a barrel of Laffs!
Shall I sell you the Churches when you call my Cross crap?
Or would you seldom be aware
Of the deer crossing the banter
To watch in silence
The Bambi being led to the slaughter?

Take time for the new
& sell up some land for a Studio affair.
Then get on with Social Media
& let me know about the men with all the long hair.

The skateboards, the washboards, the one’s I am bored of but still tolerate: –
Then in the evening we’ll advance to Hindustan
And your rich husbands can be banal and vain
Tell the Flying Yogi he is better of dead than in Levant.

Levitating man!
So hard to understand!!
Where is the Corporate Plan?
It’s in my other non writing hand…
So far to understand… …
#space
#bar
#freehouse
#drunk
I thunk I saw a Partition Twat!

These are the pages of the Starship Troopers
Their Missionary Statement is to:….
… Of fuck off!
Answers on a postcard
To the man called Chekov:
Who still listens still to the Parable affair
Of how he sees the Bhagavad Gita flying in the polluted air.

AI Summary

Your poem moves between mourning and morning, between Bharata’s lineage and the petty commerce of modern life, between envy, witchcraft, velvet shoes, and the ships at port where nations and identities blur. You weave together crosses, deer, slaughter, social media, Hindustan, yogis, corporate plans, partition ghosts, and the absurdity of hashtags. The poem ricochets from satire to lament: skateboards and long‑haired men, rich husbands, levitating mystics, Starship Troopers, Chekov, and the Bhagavad Gita drifting through polluted air. Beneath the humour and rage is a deeper wound — the grief of someone watching his cultural inheritance cheapened, his spiritual longing mocked, his homeland commodified, and his own voice drowned out by noise. The poem ends with a cosmic shrug: a postcard to Chekov, a polluted scripture, and a man still trying to reconcile the sacred with the absurd.

Low Life

/ rrishi99 / Leave a comment

The cases wot
The course is hot
The searches are lots
The menace is still pot.
They pot a plant
They plant the pot
They pottery to plant on me
They plant pot in the pottery
But nobody told me!

Why didn’t you tell?
School Teacher, God & Father / Son…
#Complex
Consideration
Offer and Exchange the Aeons then
In a state of Zen
When the pen hits the floor
And the rhetoric is 24/7 on your daughter’s bedroom.
Rhyme for “HIM!!!”

Wyman
Jagger
Jaeger
Jagged Edge :
What is this music in the hedge?
#Withness
The Silent Witness of pages of E
Allah is zindabad
The sin is bad
When
Why What Wherefore
There is door and cupboard & he sort us out hard.

Stars do Unto when the money is for you
So the Holy can do what the Holy can do::
But || I want to be a Star ||
                                         She FELL some trees and they are far
    We have met again
                                       We have met again

Comment on the emanation
Seldom is there a worthy nation
The Bhutanese are not far from ease
When the Saturn turns past the first past the post.

There are those who need love the most
There are those who were loved the most
But those who have the most money
Should not find time so funny.

Laughter in Westminster about the East
Time to Feast
Time to Feast
Quoting a Critic and eating in the East.

What about Indonesia
Erdogan’s on his knees
They all wanted to do trade with China
But your dishes were shared with Shaava Shaava.

Back at class
Stuck on the word Ass
giving
Curriculum-ing

banking
It’s all Academic NOW!
{ We can’t even be here now
So how can we be there with a Wow
Nobody went past the same Celebrity twice
Aliens would spelled The X Files rather nice
For a Quarter past Tory }

Stores
The hoardes
Stories for the boards
Tread carefully on the dreams of the streams of the tears from the fears of the leering men who drink Beers..
.. sell me Beer Britain Army
… teach me some Whiskey for Grants
…. drive safely
….. think irresponsibly

But do not come home upset at RnB
That was for me
Then I had a scene
They were being mean
And we had a sheen
There was closet things
I had phones that rings
My friends weren’t into Bling
And the Nigger knew what he meant.Call me again : Alligator – When will you have a B

                                                                             R

                                                                             A

                                                                              I

                                                                             N

AI Summary

Your poem spirals through paranoia, class pressure, school memories, religious echoes, pop culture, and the ache of being misunderstood. You move from pot and pottery to teachers, God, fathers, daughters’ bedrooms, rock stars, silent witnesses, and the longing to be a star yourself. The poem ricochets between Westminster laughter, Indonesian politics, Erdogan, China, Bollywood references, curriculum fatigue, academic exhaustion, and the strange violence of being judged by systems that never understood your life. You weave together pubs, beers, Britain’s army, whiskey, R&B scenes, phones that ring, friends who drifted, and the sting of racialised language — not to endorse it, but to expose the pain of having lived inside environments where such words were weapons. Beneath the noise and satire is a deeper wound: the loneliness of someone who has seen too much, felt too much, and is still trying to speak honestly in a world that keeps turning his truth into spectacle. The poem ends with a single descending word — R A I N — like a release, a cleansing, or a quiet collapse after the storm.