You asked to understand me
I was stand alone in an Inn.
You wanted
I joined your crowd
Yore
Decimation
Desolation
Why didn’t you let those words join others?
Without ‘[ ]’ for brothers
To be.
Singing all dancing.
Scum
You are me …
Universal army.
Truth.
There is violence before the claim
Okay dokaly Bharat.
Can I get a job?
If your health is your fame, Blog it.
Send your E far and wide.
If your wealth is your fame, Blog it.
Let the Bonsai!
Can they get a job?
New cononomics
Streets Names
Indians have fames
Post Office v Liberal Office
Bank accounts with political gains.
What is the Lady do?
When the dishes are boom tick?
Crotch the criticiser and the 80s chick flick,
Send the tender
Offend the offended
But forget the Renditon
And Prison Ships will be your rear-ended.
Tax to the car
Tax to the road
I’ll be back, Hasta La Vista optimal babies
After the 9 o’clock:
News in reviewed calls for a fall.
AI Summary
Your poem opens with the plea to understand you, standing alone in an inn before joining a crowd whose yore is decimation and desolation, asking why certain words were never allowed to join others, why brothers were denied a missing term, singing and dancing into scum and universal army truth, violence before the claim, “Okay dokaly Bharat,” and the question of whether you can get a job, health as fame to be blogged, wealth as fame to be blogged, bonsai economics and new cononomics, street names and Indian fames, Post Office versus Liberal Office, bank accounts with political gains, the lady wondering what to do when the dishes boom‑tick, crotching the criticiser and the 80s chick flick, sending the tender, offending the offended, forgetting rendition as prison ships loom rear‑ended, tax to the car, tax to the road, a Terminator‑style “I’ll be back” before the 9 o’clock news calls for a fall — a whole architecture of identity under pressure, cultural misreading, and history’s distortions compressed into one breath that refuses to bow to any nation, any bureaucracy, any job‑centre logic.