Actions in the mode of goodness

Are not upon us a higher layer

Stamps and collectibles uncrown

Frowned upon serious meditations

Crown of thorns in between the eyes

A non-Revelation of Al Quran banned

On Bradford like Broadway in Bombay

For the amore [                ] replays.

Actions in the mode or passion are lads lassoes

For Ladoo is their likely victim:

On the 6th day of Brahma the trip-hop Tech was Paint Strippin’.

And when the 12 Goswamis archetyped

The Light of Brahman was Prabhu.

Continuation said:

Impersonal shall your Goodness be reveal-Ed.

Bled Godness

@ His Modes with Moses; is there anything he can’t Pass Off

# 1 at the not-fallen of India’s executive class.

“I never asked for anything”

From a homeland funding [                           ] is styles

(She wishes she was ) was ( … a still señorita…)

Pizza alone at home

Anything for a Friday nights

Friends and Fraser was tight

Pasta on a £7 hourly fee

Monument PAYE

Nationally Insuring South London’s Elephant in a Castle

from a man with a Green Door

Opening doorways to terror and plotting with a hassle.

AI Summary

The poem moves through modes of goodness and passion — Vedic cosmology, English cities, and modern politics colliding in a search for meaning that feels both sacred and unstable. It shows how scripture, history, migration, and everyday struggle blur together, leaving the speaker caught between divine light, social pressure, and the exhaustion of contemporary life. Fear, memory, work, and identity weave through Bradford, Bombay, London, and South London’s Elephant, revealing a self trying to reconcile spiritual inheritance with modern chaos. In the end, the poem reaches toward inner coherence — a hope that beneath confusion, cultural noise, and inherited strain, something steady might still be found.