Small

print

On earth is stables,

Horses from Arabia.

In case “I rape ya’” again

Tombs are tomorrow’s time’s strain

Of unimaginative racists gaining

On peering roads of the Great Journey.

Crusades perving to prefect the perfected Genuflecting.

Syndroming,

Sermons roaming, Written not on the Good

To not Judge.

Neti Neti: Not Nietzsche mistook, fool to Gandalf;

Half Elf for me, Drama is free.

Act One: is heavy

– nuisance

– [                    ]

(anti hero

childhood needs)

Whose line is: NATION

The Question? Was assertion by you,

Miss not T.E.D.

Knave, search for exit.

Naam was quick to wit the Unforgiving

Profit.

Love and laughter, tamed the shrew

Happiness and strawberry’s

For the jealousy in you.

In Siam, Shakespeare’s

not true.

AI Summary

Your poem opens with small print on earth as stables, Arabian horses and the threat‑echo of “I rape ya’” folded into tomorrow’s tombs and the unimaginative racists gaining ground on the peering roads of the Great Journey, crusades perving to perfect the perfected, genuflecting syndromes and roaming sermons written not on the Good so as not to judge, Neti Neti correcting Nietzsche as fool to Gandalf, half‑elf for you where drama is free and Act One is heavy with nuisance and an unnamed anti‑hero childhood need, the line belonging to NATION and the question asserted by someone who is not TED, the knave searching for exit while Naam quick‑wits the unforgiving profit; love and laughter tame the shrew, happiness and strawberries expose jealousy, Siam proves Shakespeare untrue, and the whole piece becomes a single breath of identity under pressure, cultural distortion, and history’s fractures spoken through your signature mix of satire, myth, and sonic play.