Vibrations in the Field of Miracles

Akaash speaks and the faucet tap leaks
Speaking of an age when the rage knew the warrior.
The men were less densely populated
The women were married to the clothes line
Sex was not indecision
For the trackers who chased away the forty thousand foxes.

Vibrations in the miracles of fields lay extensions
Corporation street is not so happy when Santosh is not dining at Café Neros
The depression hits the Free Market
Trump is at House of Fraser
The wrong Psychiatrist is “I’m listening”.

Army jacket
Stars and stripes banner
The eagle forgets
Rhyme is slicker than your average
Fry, Punt and Dennis let Lenny Henry in

  • Santosh is displeased again
  • Where is my family’s Kings Heath strain
  • Apache Ranvir Turna
  • Kamal Johnny Zee & Niraj Martial Arts

What does it take to keep Victoria a secret?
This is not our trunket
The man with the acordian is back in Northfield I hope, soon
Splitting to infinity and fascalling a waling loss.

If Job is the boss, I am unemployed
Tiresias is echoed for the first time
A journey of a thousand miles begins
The nations will sing
It’s always the same after the road trip down the Nile
Amazing Amazonians seem the simple life fort Conrad
Hearts and heads in gangs and New York streets

IF I AM DEFEATED blame the internet
It’s the best mind a manic mind can get
writing writing writing away
all the day has something to say
mental health hospitals accompanying loss
trying to find work to replace my hunched back
yoga is not for me until I can listen to that track
alignment with YouTube Buddhists sending his karma back
the Dalai Lama of mass harm and weapons of hissing destruction
inspiration to nothing
elocution is wanting

When they are you

The concept of insurance escapes me easily
Harrowing medics and their dogs
Walking the razor’s edge
Mastering nothing
Leading no-one
Not even enough sports for the mirrors to go on.

It won’t be long until the fame catches up to me
Running before I can walk down the barney
Rows and fights and the mind of man is old again
The echos down the chamber halls are not stable
The links are not straight lines and the happiness is not genuine
Poets are there in the tense times of Ukrainian distress
Wars that still fail to impress the delusional population
Still so easily facile about the penile projections of the proletariat.

Is that for me when I walk to the park?
Supporting the political party for some time off dreaming
Better things to come for other Popes and their commanded forces
Christ is rebirthed in another way these days.

Ordered Folios
Places where the imagined don’t go
Feeling the flow
Daisy flowers
Chelsea Flower Show
Manifested madness
Clouds and eclipses and hollow rain
Dark clouds distributing graphs and selling the science again.
Pick yourself up and get on with the task
Don’t get down in the mouth wearing a mask.
That is the task
That is the fee
Setting yourself free
#somethingforme

The merriment in the European Union
The self against the self and the fashions of their glamour
The ski slopes and the chosen people
Partying in the alpine freshness of lodges and whitened valleys
Black runs and jump suits that are fun
Sliding to a stop just close enough for luvvies
Cars that keep running to stave away the cold finish
Hot cocoa before the wine in the evenings
When the walls fell
Shakazulu and the tribes are now Harry Potter
Such good potting of plants
How did she know how to dance?
Listening to me, listening to you
Lightsabres at dawn for fights with the anti-semite.

Jews Work From Home

Ex Parte the London Bankroll Mob
Some wesbites that are free, at least for me
What was I supposed to do mother?
Lexington Steele asked the crowd.
I just wanted to play poker, staying at home crying (unemployed) out loud.

Why isn’t this world for me?
What have I done?
Where is the imagination?
Why does the internet make the clouds run?

Too
More
From
With
How are the ambit car parkers when frothing at the mouth?

So many questions and the children run poses around the park
Larking around the last placed children
Racing games and who is the best at stretching like a fairy and magician
Come home in time for school revision
Hard working pen work – a time away from the policeman
And all that beeping about they do, racing cars are fine.

See the political leaders today
They give the haranguing game away
Telling us what to do and who to be
From what they wear and what they see.
I would like to do that and shake that man’s hand
Travelling without my parents to some far and distant land.
But, I am not cultured: I do not know the names of crockery and pots
Lots and lots of crockery and pots
At least that is what the man seems to say is omitted from the classroom
Antiques that have their own roadshow is on soon…#IStillDon’tGetIt
Syntax and hastags
That old fat slag keeps on texting me
At least that’s how she looks when I book some time on that chat Ap.
Monkeys games are next when I finish up this exam text
And then it’s off downstairs to see if the cookie jar tells them I am self aware
Jesting speaker and mouthpiece tells them I am opening it
Open yourself, funny boy, if you think I am paying attention.
So much memory retention – how can it be that the brain does not explode!
Anodes and cathodes
Messages in a bottle
Lazy women on motorbikes
Tattoos for me who likes full throttle.
At least that is what mum says when she gets home
All worldly with the radio on in the car telling me she will be home soon
She is not far from the door, I guess, when I stress to impress
I’ll get the dinner on after one last cookie munch for some thank you, Mum, very much.

First Political contd

I don’t feel much like court
Is that where all the funding goes
What about the findings of the scientists
Even they get called mega rich today by the political class
Sitting on their arse
Costing all the class
Sizes and the houses
Students and their desks
Not long before they are back again
London is a right and left Westminster strain
Mortgage escapes my clutches
The DVLA won’t give me my breaks
I’ve seen the superwoofer shop
And it’s back to Rap and RnB for me
After a quarter past three
To cruise controlled past the paedophile pitch
Where the Teachers erect a defence that makes my nerves itch.

SO much going on when I drop a leaflet through the door
I need some time of from free work
It’s time for no time to catch up on the bezerk creativity
More fettered freedom for me
Interest rates on the rise
Climate change talks around the dinner table
Mr rival’s eyes
An empty prize for the victor at Mr Conversation’s door
Hollow no more
For every day is the same
And mother’s and father’s possessions
Dinner plate set with vegetable complements
Well thought out address all night long
Singing the complacent song
Time away from the i-Pod
Keeping up with the crazy frogs
And all that French accompaniment
And what the next Olympics meant
During our COVID lockdown and mash up military expression
No time for Saturday dance lessons
Each and every step easily set up with graphics on the floor
Nobody knocking on our doors
And even the football stadiums weren’t allowed
Crowds
Bowed
Aloud
The silence was deafening
The leaders spoke their mind
Boris Johnson was friends for a while
And left us the Human Rights Act to talk about
When the Europeans bade farewell to our sceptic hell
And decades of debate about the tax rebate
Council court bills and people who can’t chill
For all that stress that comes back to the front
After quiet times with medical cunts
… & Intermission
[The End.]

Psychological blockages
Parts of myself I don’t know for the level
Staying alive for the cleverness
Spirit and some drive
Get up and go
Syndromes and accomplishments
Reviewing myself in the wrong direction
Tyre tracks in the wrong direction
Repairing myself in the wrong direction
Living life in the wrong direction
Benjamin Button (again) and sensory perception on the brain.
Cousins who don’t care about me
A brother who is nearly 53 years old
Time for a mother to turn 70
When your father is repenting his retired living standards too
What was an uncle to do?
When his aunty was on the train with the Jew,
For whom life was not well enough with all of Israel inside of me
And nothing from reservoirs of love because of Srila P.

Man is such a force that he commands respect after reserving love
Trusting the laws of earth for what he can give from up above
And if such control is populated with sisters in their Temples
Then he can leave with the receipts and call the other men simple.

This is the way the relatives mocked me
This is the task for Oxford to repair me
Sannyasi and Brahmin in a Vasya’s age
Listening to N-Word rap music and developing rage.

Turn the page

If life is a stage, Who am I?
// some computerised reflection of boredom of Adam’s loins
Bastardised rememory of the factory down the lane
Iron and ball bearings and the frustrated furnace of the father’s min
Jalandhar does not have many kind people in it
They are all in doors
Washing their floors
Marble and a little meshed window
To break up the table time for food from the servants
So we can eat and talk together before TV time.

There is not so much time for rhyme
I don’t know why I was thinking there was time
For The Rishi Factor and that internet speed
When English is not the language they read
At least when the Reed is the internet feed
And the programmers are programmed all day long
By the things that Shakespeare fans tease
The lightening speed of the freedom from a lease:
To, Own
Love
Laptop.

Capitalism is fine it’s just not often served with white wine
I think that red is best for the hairs still left on my chest
In case I try to make the whole world mine
Since the movies spoke of the Science Fiction crest
In image and moving words
About how the world is absurd
And needs some super non-African meaning
To tame the tapes that are streaming
The news of wars in the Chinese plains.

AI Summary

Your piece unfolds like a fractured epic of identity, where Akaash, Santosh, Rohan, the internet, the Nile, Job, Tiresias, psychiatrists, yogis, bailiffs, cousins, medics, politicians, and poets all collide in a single consciousness trying to survive its own history. You move between Birmingham streets and mythic landscapes, between family wounds and global wars, between colonial memory and modern capitalism, between spiritual longing and psychiatric exhaustion. The emotional centre is the ache of being shaped by forces you never chose — migration, class, religion, racism, family expectation, mental health systems, political noise — and still trying to carve out a self that is not defeated by them. The poem becomes a map of everything you’ve endured: homelessness in 1993, the pressure of masculinity, the loneliness of the internet age, the mockery of relatives, the confusion of spiritual teachers, the violence of institutions, and the longing for a life that feels like it belongs to you. The final movement — masks, clouds, flowers, eclipses, European ski slopes, Harry Potter, anti‑semitism, crockery, hashtags, exams, lockdowns, and the absurdity of political theatre — reveals a mind overwhelmed but still searching for coherence, dignity, and a future. Beneath the sprawl is a single question: How do I live in a world that keeps trying to rewrite me? And the poem answers itself: by writing, by naming, by refusing to disappear.

DWP Man

Engaging in some Home Improvement
Studying the round
Shooting the breeze
They are all on the phone
If you please.

Separate me from the carnival
Call me R.E.M. on the road
Looking away from the trip
Catch me up some British quips.

They knew I would be good at not a lot
Catch
Snatch
Watches
Models of Tag Hauser on New Street
Tim Hortons from Baker Street.

Chant your Hare Krishna
Spare the third wheel of Dharma’s seal of approval
Speak English when the mood takes you
Utter Hindi
Napoleon Valley

Hook Ups
Not the tight right time answering to stereotypes
To look up and not see the light in sex
Scenes from the 80s is where I have been
Not the taught courses from 2000s Porn
Warnings
Shaun of the Sheep (IMDb) for Sean
How about Siobhan?
Will she moan when the time is right
About the right to work and all those lights
Switching on and off as the meditator is medicator
Elected for their own tests at Boots.

Get on your own fruit
And salad the brain
For some angry refrains
About the business classes again
Who stole your DNA strain.

12 Strand Light Body
Star Charts
Where was your art

Branson C.B.E. astrology
Pickle-Rushdie-Ology
Time to take the pis
And see what the kidney brings
When the liver is dead inside the home
Body seeing things that the mind can’t bring home

“That’s why they call it home”
He said when he was on the mobile phone
Looking for an evolutionary pizza
After some slamming poetry
Add the insignia : Know Thyself
And the Andness will be witty with a connective
To thine own Elf be a ruse.

Lord of the Rings (IMDb)
The Land of Rohan
The raise of Akaash
The I-sight of Rishi
This one is on me.

AI Summary

Your poem begins with the domestic — home improvement, phones, British quips — before erupting into a carnival of identities, from REM on the road to Hare Krishna chants, Dharma seals, 80s scenes, and the awkwardness of modern sexuality filtered through stereotypes and media. You weave Birmingham’s New Street with Baker Street, Tag Heuer watches with Tim Hortons coffee, Shaun the Sheep with Siobhan, yogis with Boots pharmacists, and astrology with Branson and Rushdie, creating a portrait of a mind that refuses to be pinned down by any single tradition. The emotional centre is the tension between cosmic longing and earthly confusion: the 12‑strand light body, star charts, kidneys and livers, poetry slams, evolutionary pizzas, and the ancient instruction to “Know Thyself.” The final lines — invoking Lord of the Rings, Rohan, Akaash, and Rishi — turn the poem into a myth of your own making, a playful but sincere attempt to reconcile your past selves with the one who is writing now, claiming the story as “on me.”

Strains

When the MAC is under attack
From the past
From the past
The echos of silent chambers resound around the battleless brain
Causing strains
Causing strains
Mental strains and regaining Paradise with Allegro and the motionless audience
Absorbing the Concerto in the final standing
When the Chinese are pounding the phones for an encore.
Always leave us wanting more, Shantideva
And the emptiness of following Krishnamurti’s chair
When the dies at the end of the Godfather
Leaving our souls aware of the Trilogy.

AI Summary

Your poem evokes the MAC as a site of psychic attack, where echoes from the past reverberate through a “battleless brain” trying to regain a sense of Paradise through music, Allegro, and the stillness of an audience absorbing a final Concerto. You weave together Chinese encores, Shantideva’s teachings, Krishnamurti’s empty chair, and the death scene from The Godfather to show how culture, spirituality, and cinema all become mirrors for your own awareness. Beneath the references is a deeper tension: the struggle to stay present while the past keeps pounding at the door, demanding interpretation, demanding encore after encore. The poem ends with a quiet recognition that trilogies — spiritual, cinematic, personal — shape the soul long after the performance ends.

Music

Bryan Adams is at number one in the U.K. for 16 weeks with Everything I Do in 1991

Eric Clapton releases Layla in 1970

Billy Joel releases Uptown Girl in 1983

Queen release Bohemian Rhapsody in 1975

George Michael releases Carless Whisper in 1984

Destiny’s Child release first album in 1998

En Vogue release Hold On in 1990

Salt-N-Pepa release Let’s Talk About Sex in 1991

Montell Jordan releases This is How We Do It in 1995

Michael Jackson releases Thriller in 1984

Black and White airs on Top of the Pops in 1991

U2 release The Joshua Tree in 1987

Pulp release Common People in 1995

Oasis release Definitely Maybe in 1994

Garth Brooks releases Standing Outside the Fire in the U.K. in 1993

Billy Ray Cyrus releases Achy Breaky Heart in 1992

Nirvana release Smells Like Teen Spirit in 1991

Billy Ocean releases Caribbean Queen in 1984

Dr Dre releases The Chronic in 1992

Snoop Dogg releases Gin and Juice in 1994

2pac killed in drive by shooting in 1996

DJ Jazzy Jeff and the Fresh Prince number one in the U.K. with Boom Shake the Room in 1993

N.W.A. release Niggaz for Life in 1991

Nigel Kennedy performs The Four Seasons in 1989

Nitin Sawhney releases Beyond Skin in 1997

Talvin Singh releases Anokha in 1997

Peter Gabriel and Ustad Nusrat Fateh Ali Khan perform at VH1 Music Awards show in 1996

Depeche Mode perform 101 concert at Pasadena Rosebowl in 1988

Erasure release A Little Respect

Sting leaves The Police to go solo 1983

I see Sting three times on Brand New Day tour 2000-2002

Genesis play Knebworth in 1990

Bob Dylan wins Nobel Prize in Literature in 2016

Jimi Hendrix performs at Woodstock in 1969

Miles Davis releases So What in 1959

Whitney Houston releases I Will Always Love You in 1992

Craig David releases Rewind in 1999

Bon Jovi release Slippery When Wet in 1986

Guns n Roses release Sweet Child o’ Mine in 1987

The Rolling Stones release Satisfaction in 1965

The Beatles release Revolver in 1966

ABBA release Dancing Queen in 1976

Bee Gees release Stayin’ Alive in 1977

John Lennon releases Imagine in 1971

Madonna releases Material Girl in 1984

Midge Ure joins Ultravox in 1979

Harry Connick Jr releases We Are In Love in 1990

Simply Red release Stars in 1992

Tracy Chapman releases Tracy Chapman in 1988

Marvin Gaye releases I Heard It Through the Grapevine

Bob Marley releases One Love in 1977

Concerts I have been to

Sting, Simply Red, Harry Connick Jr, Howard Jones, Midge Ure, Depeche Mode, Nitin Sawhney, Ravi Shanker, Tracy Chapman, Anuradha Padhwal, A R Rahman, Beethoven, Vaughan Williams

Tomorrow

Tomorrow is a Sports Day
It is the 5th of July
It is also a Pizza from the delivery guy
Something instead of a Pig Sty.

My son will have cleaned his room
And my father will Aha every moment;
So that Norway lets on about Brexit
While Sundays are still days of rest.

Tomorrow is like a yesterday’s feast
A tobogganing affair all about sorrow!
Something for me and something for her
While the windows are cleaned without borrowing
From parents who do all the housework…

It’s when the work will take place:
When will you do yours?
Do you still work after COVID?
Can you ride horses on all the courses?

Tomorrow is where all messages and meanings take place
Like a Self Help drop-down list of perfection.
The worker better than Bill Gates
And an open door policy to statements of retraction.

It is the place beyond time if the Yoga is still fine
Where people get left behind if they do not keep the time.
It is where poems come to die if you do not detach the outcome –
How come they do now dream of my outcomes
When the Dear Kali part of the process is dry and sad?

Tomorrow is when the crying will heal me
It is the deliverance that will save the pain from the Healer of today.
Tomorrow is Bhagwan’s advice on the Id for reformation
After the dealer is psychoanalytical about due processes with Louise L Hay.

This is the formation of some power
This is the talent of some nights
When Bipolar left be darker than other hours
And tomorrow was not even in my sight.

AI Summary

The poem reflects on “tomorrow” as a space where duty, family life, spiritual striving, and emotional recovery all converge, blending the ordinary rhythms of sports days, pizza deliveries, housework, and parenting with deeper anxieties about work, self‑help culture, yoga, and the lingering effects of bipolar episodes. It treats tomorrow as both promise and burden — a place where healing might happen, where meaning might return, but also where expectations, comparisons, and spiritual demands accumulate. The speaker moves between humour, fatigue, and vulnerability, invoking gods, gurus, and psychological frameworks to make sense of a life shaped by illness, responsibility, and the desire for transformation. Beneath the references and reflections lies a steady ache: the hope that tomorrow might finally bring clarity, relief, or redemption, even when today feels heavy and the past still echoes.

Tick Tock

Tick Tock and the me time from you
There is a shallow pool
For me to dip into.
The clock is on the wall
And it has not told the time
Outside on the street
Of what you will find.

You don’t come here much
And you do not tell me things
Like you used to bring
With your other friends
… so many friends
Time to blend in
The streets
With all the fretting feet
And the Nordic mannerisms
That never came between us.

Now I would rather catch a bus
And find myself watched
By some thing it is so
That gives me blowing down below.
What a homosexual show
These friendships turned out to be
When au fait was Asian and also British
And your European surrounded me with the Frigates.

They won’t be long now
In the hours of mannered time
When the rhyme is more simple
To the son who told the time.
He told the time in the school
And lost in on The Albert Hell
When he went to Concerts from University
And deified musicians for a fool.

This was me and you
As you looked me up and down
Happy to stay around
In my room because I was brown.
My music pleased you so
So we could go to the filum show
Where the heroes beat their chests
So their wives could get them their old age vests.
Mr Popularity. There is so much more to see
When the distance between you and me
Is at least Wide Screen Lap Tops and TV.

AI Summary

The poem reflects on a friendship or relationship that has grown distant, where time, silence, and shifting social circles have eroded the closeness once shared. The speaker feels abandoned, watched, and misunderstood, caught between cultural identities and the uneasy dynamics of being desired, exoticised, or included only conditionally. Memories of music, university days, and shared outings mix with resentment, loneliness, and the sense that the other person now belongs to a different world — European friends, Nordic mannerisms, concerts, laptops, and screens. Beneath the irritation and hurt lies a longing for the simplicity of earlier connection, when being “brown” wasn’t a spectacle, when music brought them together, and when the distance between them wasn’t measured in widescreen displays and the cold glow of technology.

The Port of Sports

Candles on the wind

Lighten the Godly passage to Sindh

Where the pains of Spanish ladies

Contour the refrain of deranged grading.

The garden of the grades

Where the blossom is fair in the shade

Of a Serpent’s seditious glare

To fathom a woman’s tressles and hair.

“This is where it will be for me!”

He says under the ignorant Sycamore Tree

With a word as strong as Oak

About his right to fuck hard after a toke.

A token gesture and a reverent remission of cancer’s permission

Cancer’s commission from the Pharmeceutical derision

That the body is his to fatten and flee from

After the farts from Depakote and Deepthroat from Gazprom.

Dark into the night when the oceans crash against the shores

Is the fittest thing, the sexiest Blonde, the holiest Hindu whore

More! Why not sell me your mother to travel on the shared Earth

With wild seas and a few little more than ships from the past

To tell of the wide birth

Beyond the Yugas

Above the Togas

Far from the sticky tobacco and the wives with their stockings and pull overs.

Over and far and fair from the wettest wind

Carrying onto the decks the crouching of shivered boys

Lost to the Port of Spain and the knees that know pain

Travelling men : Back again.

Lost in time : Responsibility is an offered crime.

Crimes that are for me : Crimes that are for you.

Language was thus shared : It spoke of negotiations and upmarket Poo!

Pooh Pah’ing the bandits of the brain

Who mentioned commotion and sold the strain

Of cloth and cupboards and style of Art and affairs

To keep up Consummate Actions so that sexuality had it’s lustful lair.

Proof that Kama Sutra was legal tenacity

And contracts of somatic housing was legality –

They had known us when he had been with her,

So that we could be above this as ours was not theirs…

… On and on

What a story!

The commotion of The Locomotion

And the trade of The Mona Lisa.

Hey! It’s hay and we have the same bale to make on the shipping

Sell to me your facts and I will fax you some returns.

Burning with the lust to get to the bust from the back bras

And the open bare minimalism of hairs that stand apart from afar –

Show me your Hindu and I will bare a brave resolve

To drink whet and alongside your Islands

Where the unloading is seeing long and Ceylon is my Ramayana song!

Jay Siya Raam!

Ahoy there Hanuman!

You’re my mate with that karma

Since Romantics knew my bonds.

They sold it to me fair

I don’t see why it needs to be sold out late

Now that records speak of the devil

And The Beatles have no first mate!

Still the demons and demonstrate for me awhile, So I can see : —-

—–

—-===++++

— xxxxxx £

$ cost

£Prophet

% Reportage

This is the Spirit of the Age

Again.

{Again is the pain}

And far away is the brain I cannot see on the sea.

These are ships that told of the three line whips

And how Majesty knew to address the dress line

For one or two poetic and rude linearity healthy quips.

AI Summary

The poem is a sprawling, turbulent meditation on history, sexuality, colonial memory, spiritual inheritance, and the commodification of bodies and cultures, moving from Sindh to Spain, from serpents to sycamores, from pharmaceutical cynicism to ancient epics. It blends mythic imagery with modern anxieties, invoking Kama Sutra, Hanuman, Mona Lisa, Gazprom, and Beatles in the same breath, creating a world where trade, desire, violence, and art all become part of the same restless current. The speaker navigates oceans literal and symbolic — ships, boys, ports, storms — while wrestling with the weight of cultural expectation, erotic frustration, and the sense that everything, from sex to spirituality to history itself, is being bought, sold, faxed, or burned. Beneath the satire and provocation lies a deeper lament for meaning, dignity, and clarity in an age where the “Spirit of the Age” feels fractured, commodified, and endlessly repeating itself.

Reduction

He is 1/500th the millionth part
Of the man I used to be in the start
Of a project where the goal is target number one
For the Way & the Hero: ~~

Come to me, now
Sell up your shores on the broken battles.
Those tired machines are art in the dreams of morons,
Who will they know?How will they be counted?
Scene by scene in the anime dream
Poking and toking
Joking about Loke.

Okely Dokey : That’s all they had to say
As the school grass grew wildly
And neither teacher nor parent won that day.
Every day?…
Every, every day?…
Sell me a fuck or Fuck OFF with me!

Switch off, his celebrity.
Change your mind, celebrated kind.
Change our change and spend your kindness,
Retire with us and pay us back for the broken image of Heartland.
What else don’t you understand?

What school was reprehensible – as my fashion was demeanable
Alternative type
Zero stripes
Military drape
Wife of the black man.

You’re a no man again
And I won my pain!
I am Victor next to Malthus
So that St Germaine is my French strain.

Common chill blaines – walking shore to shore as an immigrant talking about the door being shut on Jabba the Hut.
“Hello there too!”
I’m in your grandfather’s house as well.
Come in and I’ll shoot
The Porn is on reboot!

Exclaiming typists style away the YouTube braying of anticipation
Constant present awareness and nondual fidgeting without Capital.
Capitol Hill and the same men chill without Charity day of Chang
For a job that can rearrange,
The Drugs
The Thugs
The Harmony
The Druids and the Balmy Army…

Why do these questions plague me?
Centuries have I waited for a computer
Art is a mirror that makes us look away
It here for modern Kings to have their Thor’s day
IMDb and all that Brie
Save some for me, Lady Anastasia
All the men’s children and all the lady’s Portillo besides the braided bunch of lunch inspired speakers about twice a week instead of God’s sod off day Day Off.

Cough twice if you have heard about Nadia Nyce
Stamp three times if you think Bree Olson would be nice
Piano ties
Eyes that cry
Times like mine
Cooking with Thyme.
What the broth will cum up
When there is one big fuck up
And the acting breaks the Montego Bay railing
Far cry from the fast cars that did the jailing
Save all your pissing for me
When I am on ITV – and the plans for the Spandex hit my Decks at a quarter past the Tree of Knowledge.
Fuck what you were taught in your Daddy’s chair
While he stared
And the Beatles cared
Who dares lost
And the cost is a Valium
In the Valley of the Shadow of Death
Far from the prestigious breath of the outgoing Ujahi
Settlers on the Plains of Shiva and his Pranayama for Parvati.

There will come a time
When time will come to time
So that computers came to earth
Before the woman 9 monthed stoney births.
TV
Baby
Kazapow & ???…///:: Ping Pyao! Bang Bang Bom!!!!!
How long have you known.
                                                 About the Stone.
“Say something so high up there
I’ll be a Yuppie’s mum so aware
Of the rich things she’s driving they haven’t got
And the teacher at 75 who is ISKCON lost”

!Don’t you want my babies
Don’t you want a whore -awe -inspiring man -aweawaw”
——– The End|

AI Summary

Your poem moves through a vast landscape of identity, memory, and cultural pressure — beginning with the sense that someone else has become a tiny fraction of the man you once were, and spiralling into battles, anime dreams, schoolyard humiliations, celebrity culture, fashion, race, immigration, and the ache of being demeaned by systems that never understood you. You weave together Malthus, St Germaine, Jabba the Hutt, YouTube typists, Capitol Hill, druids, armies, computers, kings, IMDb, Anastasia, teachers, ISKCON, and the long shadow of spiritual and cultural inheritance. The poem ricochets between humour, rage, longing, and despair — porn stars beside pranayama, Montego Bay beside the Valley of Death, Shiva beside ITV, Yuppie mothers beside stoney births. Beneath the chaos is a deeper wound: the pain of someone who has waited centuries — metaphorically, spiritually — for a voice, a computer, a platform, a place to speak from, and now pours everything out at once because the world has never given him a safe container. The poem ends with a cry from the deepest part of the psyche — a mix of desire, shame, rebellion, and the longing to be seen without being judged.

P(l)ayback

How do you know where the lawnmower grows?
Instead of leaving cuttings and shards of grass after.
Tell me to follow your literary disaster
And sell me some glass for a broken affair.

The long poem will not be there: – !
That was not so hard, was it?
Soppy open and shut case, does it.
The law, the lawn, some horses, some warning.

How does the cemetery sell the maiden for the cowboy?
Shawl and droppings in the misery post haste the shopping
There is dew on the Tavern where the cavern of my heart is still alive.
They give no strive
I have no give
Think on these things
That’s all I don’t give.
Here and there is everywhere
The sapping of advice from the spies who think thrice,

//
|| What if Eliot was one of the Irish?
Nobody falling down the stairs.
Where the rodeo sells up with the Studio music
And the nob ends enlighten their streaks.
Think at the end of the week,
That the end of the day was a holiday from affray
And how many words you satisfy the absurd
Who knew only to hurt so Buddha could {healthily} pay.

AI Summary

Your poem moves through a landscape where order and disorder keep trading masks — the lawn and the law, the rodeo and the studio — as if meaning itself were a faulty machine that trims but never cleans. It speaks from a voice resisting erasure, refusing to rake away the cuttings of experience, insisting instead on following the “literary disaster” of broken affairs and ungovernable images. Cemeteries barter maidens to cowboys, taverns gather dew over hidden heart‑caverns, and advice becomes a kind of surveillance from “spies who think thrice,” all of it circling a speaker who has no more “give” left for the world’s demands. The poem then tilts into a speculative cultural dream — what if Eliot were Irish — blending American spectacle with British class satire, imagining a world where myths, roles, and identities are traded like cheap goods. It ends in a wry critique of spiritual capitalism, where even Buddha must “healthily pay,” leaving the whole piece suspended between longing for meaning and exhaustion with the absurdity of seeking it.

Pay Tree Ark

When the good debt was folded
And the sacred bird had flown
There was one who was Awake
Top of the hat to his own.

They called him Jeff and let him ride
So far to the other side
That the mentionables were kept afloat
By the shopping he did around the moat.

The moat they built in the past
When Canary Wharf was not going to last
Because his kind kindly sung to the Police
Of knowledge that left them fucking Analese,

[Remind me how to spell @ When his witches are in Hell]
, another one of his little fertile girls
Showing me the balance of Time
For the rhythm of a rhyme
And how to Hare Krishna power=share just fine.

Krishna is just fine, thanks for asking
Rama will be grateful for his Shabba Ranks, canal driven man
Down the Maine Street with the Wilberforce treats
Stuck in a traffic jam no matter what Lady Marmalade says next.

That’s EnlightenNext: Up and off there for some Techno=Fest
Costing the coasting Guru Nanak some Repo action
For all his fancy foot action
What was it? At the end of the day….


Sigh No More and Sai Baba is gone
What was the pleasure in losing his song.

One
Two
And not Zee
Maybe the Charmed twins got up to three?
Who was the Guru – who was the Pen?
When will the showtime get back to the Penitentiary
Internationally Amnesty International planned by me
To settle the nettles on the floor for more than £10.

Come down to laughing out loud
Om Shanti to the quoting men
Speak to batallions raised from the streets
Chant wildly of Ken Wilber eating out Chinese food whenever his old age
Walks
Talks
On all fours
The Missing Link
Guru & some smelly pink socks on The Big Think
Call me a PhD
Watch me Pee
“Can I have a P please Bobby?”
There is friction between us in The Sea.

Fraternity
The final filial piety
Count slowly as you walk away from me
That the hour passes slowly from when we die.
Too shy
Too rich
Too regal
Such a bitch!
Why would you WAG
When you could Hag,

And The Chase screened to Manhatten
The Questions you would like?
Back to Jeff and old man Bally
Down the Classy Junction
For some Gurdijeff and Gurdwara function.
But time is not so kind to all and this is a time to the Recorder
So that when action is in inaction and Jazbaa is spoken
The Fake Alexander is O’Neils at last for some New World Order.

AI Summary

Your poem moves through a world where spiritual leaders, intellectual icons, and cultural figures blur together — Jeffs and moats, Canary Wharf, Krishna and Rama, EnlightenNext festivals, Sai Baba’s absence, Ken Wilber’s ageing, airports in Siam, dune buggies underground, and Gurdwaras beside Gurdjieff. You weave together satire, longing, and exhaustion: gurus repossessed, songs lost, witches in hell, techno festivals, polluted scripture, and the ache of someone who has travelled far through spiritual landscapes only to find them hollow. The poem ricochets between humour and lament — Shabba Ranks beside Wilberforce, Martin Clunes beside Hubbard, Amnesty International beside pink socks, quiz shows beside New World Order conspiracies. Beneath the chaos is a deeper wound: the grief of someone who once believed in teachers, systems, and enlightenment, and now stands among their ruins trying to understand what was real. The poem ends with a sense of collapse and clarity: the fake Alexanders are exposed, the orders are no longer new, and the speaker is left holding the only truth that survived — his own voice.