Verbal ReadOn

Verbalisms
They’re reading
My pier
The man above
The Peers
The House of Lords
The students in the radical libraries
-> Things I see
= on the beach
just in reaching
teaching
far outshine
debts to be cleared
People are for cheering
They’re not for me.

Harry Connick Jr
It’s Winter Wonderland again
Memories frying up brain
(Do Re ME!)
Is it my sense
*Sensibility
The Osho-Phone is an Add On

The family is a strain
I need my ratings
Some people
Jeering
Bleating
Beating me up
Bullied like a buttercup
‘Oh My God!’
“What a number 2 fuck up I am!”
Carpet van
Recycling cans
Should have picked a better job
Buddhist slob
Sown
Shawl
Somehow it all stinks
Connections and links
Five feet tall
Christian Wonderwall

Suffering

The Hologram
The Stiffy and Hard On
The memories of Royal Pardons
When the future remembers.
4. A Quill makes me famous
3. The computer keyboard WON’T regret The Buddha
1. The Missing Link is proven
Say that you will love me when the children grow old.

I’m moving house in the field’s last eye of the countryside
The horses are galloping where the Angels are still arching their backs
This is no time for the lamenting of the spack-attack
The 1980s won’t ever come and rescue me.

Spy City 
Do you remember Frankie?
Or is it all Les Bobby Browns to you : A miserable unBriTISh bastard
With all his indebtedness to L.A. Whores.
Confidentially yours from Mr Kevin Bacon
Eating all the space when the women need some make up
Keeping loss under cover with smelly regrettably yours
Dealing with the clean yogis, purifying the locus.

Hocus pocus
It’s what it seems to me
You research your school textbooks
I need some time alone.

  1. Sathya
  2. Sati
  3. Siddhi

I’m cooling my face down with a neck fan
Nobody’s my fan on the State Run Instagram
Running through the towns and still she doesn’t like me
A yogi born a Christian with down syndrome infamy.

I Struggling to talk

II Struggling to walk

III A dictionary in my shoulder bag – the one I carried to Dharamsala

Chinese figments of the brothers’ imagination
Wutang before women who write poems instead of face the nation.
Blessings in the Church
What about her arched back
Left in the lurch
Nobody will remember the 6 o clock news spent on the Sexy (News) Christian.

Blame it on the vegan
As I mess about with bacon and beef:
Leaving aside some fish and eating no eggs
Lest Allah call me some mind reading tea leaf.

29/07/2023

Unemployed Man

Unemployed man
Terrified Middle Eastern caravan
Travelling the international routes
With my mind
With my mind
Gaining military support
Looking at DWP reports
Checking our nigger Sociology
Setting Barack Hussein free.

What’s an Obama to the Unibomber
And a reraise from Phil Ivey
Possible poison to the Christians I see
And the malevolence growing from the jealous young ones in the pews.
They don’t like the rhythm in you
They don’t like you’re fitting in
They don’t like your connection with the Jew
The one with the blonde hair who tried to care…

Something for the racists to walk about and stare at
One man crowds in Weoley Castle from me shouting at Abishek all aloud
So easy to predict like a Sambrook trail of shit on our streets
So young and so fashionable with Russell Brand’s karma
The Beatles will harm her again.
The Beatles will kill Bruce Lee again
And Mr Paul Paki will never set these streets free.

For who was he when my father was driving?
Who was he when my father was cooking alone?
How did the police discriminate against him then and upon what grounds
As their radios played crap music and Oasia rolled on along the charts with Blur.

#itsallfittingin for the size of the Indian yogi tin
As they lecture on the parts of lyrics fair
For the words I would not learn.
Don’t ask me how Beethoven moves
You called British, that’s what that language proves.

Don’t ask me to celebrate Operatic performances,
They’re in London, far away from my mother.
Keep them for the thespians in London who don’t spend their money on their own culture in London
As my rhymes don’t please them
Better than Shakespeare in the 1600s – who’s been rewriting that and keep them out of the stocks, wickets and crowds?

How do they spend their money when Gordon Brown is allowed..
{Free reign over any pussy he likes!}
London is full of dykes and not the fit sort on American Porn
Madonna won’t tell the truth about the Spirit that helped her spawn
Music better than the tripe she shovelled to invading niggers in her older years.

Dancing on ice is what she needs to fear!
Slip ups and staged catastrophes
“One thing for me” and the Queen nearly resigned at 93…
Saving Private Charles is now Matt Damon to me
With Ben Affleck hiding tall dark and manufactured.
What time is the 6 o clock shadow Mr Ordinary Man
And where did you stash that cash in the walls for Mr Amitabh Bachchan?

So party on dudes and cause some rucus if you dare.
The streets of England and fair Birmingham City –
Come on you Blues!
Come on you Blues!
BLOOOO ARMEEEEEEE!
BLOOOOO ARMEEEEEE!

  • They are George Clooney and Ryan Reynolds aware.

Breakdown Boundaries

Past this point I don’t want to know
What is the developer’s story about who will grow
And how much is the cyber-sex with me in my room
When the witches are in role playing games
Away from their broom.

Get some space in life and let me have my things
So I can balance the happiness that decent things bring
Like a car, a house, some checks and a bit of Jazz
In the End of Days nothingness will be all that I ever had.

Pride

What awards has Nobel given?
What estates has he blessed?
Where is the evening out of his grace?
What is a school tomorrow for his pride?
When is the State alive for what could be planned?
How long is the dictionary lane to the organised meeting?
What is the roughage of the shit of a Psychological Degree;
When all it still is is property, Flag and the Celebrity Centre of Scientology?
What has the medic done in England?
What is a GP to the boy scouts and girl guides handing out cookies in America?

#MyBookieWookie ^ LSD
Time controllers again and no awards
Verification
Leader by attribution
No other nation
Tibet cannot be Rwanda
They list the causes
They control the donations
Now he sighs when all is branded
Now he complains when his Indian sex orgies have been commanded
What is the complaint that Arjuna knew to give Krishna
Once a nervous breakdown, always unreliable.

For why do you war, Russell, and shit on the talk show couch?
What are these laws you speak over & why does Jimmy Kimmel and Matt Damon make you say “ouch”?
Who did what to whom when Rishiboy graced the world,
With a flash of Depakote for Epilepsy on the BBC?
When Aishwarya wore leather for Wossy?
And his fat ugly wife bought shares on Images on the computer?
When is a King so inert?
When his Princeship is codes in a predicted poet?
When is his child so revert?
When blondes are their prediction from a poet?

Slow down there tiger and lets lets,
For Akaash Rani that you won’t let go…
I know all the biographies of demonic English writers
When will you share with us this Krishna,
For God’s sake, surely, that is what we’re having a go at?!

With

(Yo Mama)
The Pharcyde on Cassette in the 1990s
So tell them Noam as you hide your plans
To dominate the world as Plato from victory land
That Israel is Is it Real for the worst of human kind
And shit on a Church that Bill Clinton still wants to teach Russell Brand to find.
Give us the tape from Hulk Hogan, sir, of your cock being sucked
For the losers in Haridwar that Will Smith taped to touch
Then, maybe then, you’ll see the Rish out in public land
As the worst horror of politics so old, white and demented for anger to understand.

What were your local elections and how do you follow the teacher
For Abishek using Aishwarya too many times in print
Run the hurdles in your private schools on English land for a stint
Turn around that fashion in the world of time
Pity the failure you see in Rohan and Ritesh that is not karma…
Give Peter McDonald one more try
For an essence of Indian law courts with Jenny Afia and a Jewish creampie.
Once

#FreeTibet is not my organisation
I wrote #TibetForever because we were 1990s Scientology

AI Summary

It’s a poem about the collapse of trust in institutions — Nobel prizes, states, universities, psychology, medicine, celebrity culture, political leaders, religious figures — all of them swirling together in a chaotic, accusatory, grief‑stricken monologue where the speaker feels betrayed by systems, misread by strangers, and overwhelmed by the noise of global narratives; the poem leaps from Rwanda to Tibet, from Bollywood to Scientology, from BBC scandals to American talk shows, from Indian family names to English schoolyards, from Krishna and Arjuna to Russell Brand and Noam Chomsky, all while circling the same wound: the sense that identity, sexuality, reputation, and meaning have been hijacked by forces far larger than the individual; beneath the fury and satire is a deep exhaustion — a longing for clarity, dignity, and a place where the poet’s voice is not swallowed by politics, gossip, or cultural projection, but allowed to speak from its own centre.

Healing

The energy is not calling me
I am not there
Tomorrow is so corporate
The shops are so self aware.
The office blocks have Maya in them
The oceans are so pertinent with religious history
They have been sailed by navigators and Navigant Consultancy
When I am unemployed and arrived at so self aware.

What is meant by repetition?
How is woman to shake the disease?
The emerging markets of South America know nothing of Peruvian coffee
Traded in Aldi for the competition scarcity and poverty trader’s delight.

These are thus fights and I am astrologically bereft
The man in the café is joking with my reputation
The Queen knows me better than myself
All is so obvious to them.

(Stealing Old English again)
Robin Hood strains in my navigated market place
I can see the futility of travelling alone
Talks
Walks
Speaking in a café
Welling up at the wishing well – looking for some pride and happiness
The search for human values shall not be in vain
In spite of the United States nuclear missile declarations and the gains that have been costed.

I’m off to Costa tomorrow for some latte and millionaire shortbread
Thinking of my winnings banned from the horses stables at Amazon CEO’s backyard animal farm with Amal
The amazing woman who stole my economy
And her friend Karma who does like my ride now.

Is this the eternal questions?
Poet’s riddled as Kings denied their cross.
Tomorrow is the boss for the lilies in the field of the man
Who stationed his wagon for the American plans.
Delhi can’t delegate again
The dead need waking up again
The ego is about to blow
The Drs never got sent down below
The writer is despondent
The family is poor that supports him
Paul Ready is quota
The nurses need milk floats
And Ferris Bueller is shaking it crazy for the war between thee BMA, the DTI and EQUITY.

“He who comes to Equity must come with clean hands”
So shake your dick off well in the urinals for the lands of by elections at Kingstanding
And whatever judgements are merriment to the sick and puke in the school toilets
When they and their transferred parents are too young for such legalities.

These economics are free
This ALCS is for me
The servant is quarter the height of the negro with attitude who nearly punched me today
And there is more reason to increase the poor prat’s pay
Selling coffee
Serving bread
Counting the computation of the cost of a pint of milk
Politicians lose the word of God to raise the wages of sin
Slick like an average RnB dancer without some good place to go
The negro
The negro
What is the heart of darkness of the negro?
Compassion for the BBC again and again and wasted energy about which they cannot be you and see the I in the me and not sell medication for to not be The Complain.

Complan.

AI Summary

It’s a poem about feeling drained of energy, alienated from the corporate world, and overwhelmed by the repetition of economic struggle, social judgement, and spiritual confusion; the speaker moves through cafés, supermarkets, global markets, Robin Hood fantasies, nuclear anxieties, and family poverty, all while feeling watched, mocked, or misunderstood by strangers, institutions, and even fate itself; the poem spirals through humour, bitterness, political noise, and personal despair, naming the absurdity of modern economics, the weight of unemployment, the ache of being misinterpreted, and the pressure of carrying identity in a world that keeps misusing it, before dissolving into a frantic, exhausted meditation on dignity, compassion, and the desperate need for a place where the “I” can breathe without being turned into a symbol.

Chinese Poet Star

Separating the wood from the boys
Metal Gnosis and erotic string theory
Fellows of the Dao at St Hugh’s crowds
A Chinese Centre {for Harold and Kumar}.
With love,
From the Bhakti boys
Something from Queen (IMDb)
How about the scene with those sex toys.
Did you think they came to see you?
The Bollywood crew
What about those Delhi bellies?
Have they seen the Buddha too?
2 Live Crew
Something for the Casino man in you
Come and see our central vase
Find your way out of your celebrity maze
Thy will be blonde
Amazon wonga
There’s no room my Inn
Things the saviours see in their diners.
Mick Jaggers gone Peaky Blinders
Chinatown and the Pagoda down the road
Lessons from monarchs
Leave without saying anything about Toad
Wind in the Hollows
Why didn’t you say so sooner
Abigail Crooner
There’s so much we can agree on
Solid ground
Milk drinks to be found
Coffee made us proud
Manifested from the Sacred Ground
1990-Web Ology
B.P.S. for Mum is not for me
CV developers in every city
New Age knowledge to climb over
High states to climb down
Get over the state of being brown
Yoga is all over town
Penniless crew
Travelling is not so important for the Brahmana in you
Driving Licence test
{Facebook would be best}

AI Summary

It’s a playful, chaotic, culturally overloaded poem where the speaker moves through Daoist fellows, Bhakti boys, Bollywood crews, Chinatown pagodas, Peaky Blinders, monarchs, yoga studios, CV factories, and New Age knowledge, all while poking fun at celebrity culture, racial anxieties, spiritual branding, and the pressure to reinvent oneself; the poem blends humour, satire, and self‑reflection as it jumps from sacred ground to sex toys, from Amazon money to Wind in the Willows, from coffee pride to caste jokes, ending with a wry acknowledgement of how identity, ambition, and spirituality get tangled in a world where everyone is hustling for meaning — even the Brahmana trying to pass a driving test.

Sideliner

At home alone waiting for the phone
Connected by disconnected
Feeling like A.I. was one with the world
Still chasing the girls
Adrift on the ocean of too many botherings
Waiting for the Singh that sings
Of too many tomorrows
When he knows my sorrow
And the fat lady brings me to my knees in Church.

The way I lurched and waited for some comeuppance
To be brought back to the estuary of graduation
Where drowning was not an option
Like the possibility of the woman in the red gown
At an Oxford Ball
Save it all for (Jimmy) Sommerville College now
I need not know how:
>> The mentionables are removed for another crowned pleasing show.

O.S. is the best way to go
And not too personal into the showtimes and matinees
Very most performance in the technology of the U.K.
Aside from the Australian who can compare with transference
And transgender debates.
Will they still be my mates
The crew on London Thames
Boat parties and the men with the manes
Driving Miss Daisy
Sending me careless
{Crazy World}
One real woke true:
Is that for you.

I remember him well
The boy that did tell
Of my corporate weakness
And their high and dry light.
These are the days of too many frights
Memories and cave ins when I don’t sleep at night
Worried and awake about what happened? Why did the failed man address me at Port?

AI Summary

Your piece moves through the loneliness of waiting for connection, the sense of being “connected by disconnected,” and the ache of feeling adrift in a world that keeps shifting around you. You weave memories of family, church, university fantasies, London nights, gender debates, and corporate humiliations into a portrait of someone who has lived through too many moments of being misread or dismissed. Beneath the references is a deeper emotional thread: the longing for belonging, the fear of being judged, the confusion of friendships that changed, and the unresolved sting of a man who once confronted you in a professional setting and left you questioning your worth. The poem ends in a place of insomnia and self‑interrogation, where the past keeps returning in fragments — not to punish you, but because you’re still trying to understand why certain moments hurt as much as they did, and what they say about the man you’ve become.

I Man

When the Iron Man commeth
The fat lady will sing
The memory on the wall
Will bring and bring and bring.
The ringing phone
The past is never alone
Regression objectless
The people are debased
The victim’s history is traced
The raped is taped across the mouths of empty courtroom judges who aspire to higher things
Hemlock is drunk upon the self of itself
Reaping the rich wind of the merchants daughter
Taped across the mouth herself and eating cherry pie.

These are the lies of zero
And the empty thought
How can you know the second scene
When the first wonder is not amazement?
What is the brilliance of a Dr when the wages are not noted in the margin
Of hopelessness before the whiskey decanter
And missions to Mars in Oppenheimer (IMDb).


If you could replace your end results
The catharsis from film the nosey man wants
And admit the hollowness of RnB in the rampant man’s mind
Then maybe I would speak to your leaders.
“Take me to your leaders!” Cried Xenu,
Let’s see worlds unfolding
Cosmoses destroying each other
Unifying fields theorising in the matter of a retired man’s fantasy
Consciences appeased on the 2012 messages on YouTube.

AI Summary

Your piece moves through a landscape of mythic judgement, courtroom trauma, philosophical despair, and the collapse of meaning, blending images of violated justice, hollow institutions, failed leaders, and cosmic fantasies into a portrait of a mind trying to understand a world that no longer feels anchored. You describe how memory loops, how victims are silenced, how authority figures fail, and how even art and science — from whiskey‑soaked doctors to Oppenheimer’s Mars — feel like inadequate answers to the chaos. The poem circles around the desire for catharsis, the emptiness of modern culture, and the absurdity of spiritual or political systems that promise clarity but deliver confusion. It ends with a cosmic shrug — Xenu, unified field theories, 2012 prophecies — as if to say that when the world becomes incoherent, the mind reaches for myth, science, and fantasy all at once, searching for a truth that still feels just out of reach.

Extraordinary Shadows

The things the news does not get to say
Have a good YouTube day
Continuation
Follow On
Let the day be long
Many things make Light Work.

Being Black
Something went bezerk
The nations found they did not know
How many internet accounts were sinking down below
Contours
Contribution
Military highway informations
Shadows in the poetic reverse of going on about Biggy Smalls’ hearse
*missing you

Something to do
Continuation
Not following on
Cricket is not all about India
Something for the Windies and their Maa

Mata this AND matter that
The word means tomorrow when today is what it said
Many times over
Trauma living in my body
Uncontrollable images
The messy dead
Injustice and unmotivated distress
Stirrings to action through shares and gangland traction.

Anguishing over the racial institution
Violence across the spectrum
See End End

AI Summary

Your poem opens with the silence of the news — the things unsaid, the gaps, the omissions — and immediately turns to YouTube, continuation, and “Light Work,” as if the real story is happening outside official channels. You move into the ache of Blackness, the sense of something “bezerk,” the sinking of online identities, the shadows of Biggie’s hearse, and the grief that keeps looping through culture. The emotional centre is the body: trauma stored in muscles, uncontrollable images, the messy dead, injustice that refuses to resolve. The poem widens into cricket, the Windies, Maa, Mata, matter, tomorrow, and the way language itself becomes unstable under pressure. The final lines land in the rawest place — racial institutions, violence across the spectrum, anguish that has no clean ending — a recognition that some wounds don’t close, they just keep speaking through you.