Verbal ReadOn

Verbalisms
They’re reading
My pier
The man above
The Peers
The House of Lords
The students in the radical libraries
-> Things I see
= on the beach
just in reaching
teaching
far outshine
debts to be cleared
People are for cheering
They’re not for me.

Harry Connick Jr
It’s Winter Wonderland again
Memories frying up brain
(Do Re ME!)
Is it my sense
*Sensibility
The Osho-Phone is an Add On

The family is a strain
I need my ratings
Some people
Jeering
Bleating
Beating me up
Bullied like a buttercup
‘Oh My God!’
“What a number 2 fuck up I am!”
Carpet van
Recycling cans
Should have picked a better job
Buddhist slob
Sown
Shawl
Somehow it all stinks
Connections and links
Five feet tall
Christian Wonderwall

Until the Daffodils Yearn

I went to pay for the food
But Fate was being rude
To intrude on my inner dwelling
With the outer foil of a garden well laid.

There they were, betrayed to the surface
Above the water of my drowning soul
And the thoughts that are so deep
Daffodils in the supermarket are needed to excavate them.

So I am unearthed.
Like them I a trick of the trade
Waiting for payment of my death
And the memories that accompanied the digger’s breath.

What is in a rhyme, but the time of meeting another
Unlike you, who are gone and would have liked the irony
Of nature ironing out the money due in the self service till
Where the flowers balanced on top, left alone.

Nobody was there to take their measure
And I was awash with grief about my greedy handful
Delicate emotions spread out on the market stall of life
Amassing a fortune for the savings account and pension.

This was not the mention, I was looking for an easy way out
But you accompanied me like a bad smell
The old smell of rotting fart to celebrate my triumph over the grave
As if that was something else I was going to succeed at.

Failure to the seed, the life giving emotion of yellow piercing above green
And the scene of my demise as I scanned my items
Do you think of me still when I am not there to harass you
Like and as: My metaphor is a mega bore from the 1980s.

These are times that are not for me, but keep you alive
The memory is screeching and the ghosts are warning me
The same is not for you, in your lonely crew
Who will remember you when you are one effort from a cemented cemetery.

Take this notice of nature’s entry and seek refuge in the rhyming Buddha
The slang of the cow’s udder under Krishna who can see my fears,
The turning years and all that is to come
The escapade of my life before Maya.

No more of your driving tires, and lifts to the supermarket
Where I would lean on your purse, the mother in the hearse
And the father who left me in Summertown, down undergraduate lane
Things will never be the same again.

They medicated the brain to ensure the insurer and change the bliss
Where is the wedding with the merger of Christ to secure the last kiss?
How will I know what is known when the final wishes are blown
And the gardening is what you have bequeathed me in my working man’s probate.

It’s time to test the prostate, and prostrate on the ground before Allah
Lest I have anything left in the cellar of my heart and you surprise me again
And again for the foremost thoughts about what is stalking us all –
The final call from the One seeking The Fall.

AI Summary

Your poem begins with a simple act — paying for food — and immediately fate intrudes, turning the supermarket into a site of excavation where daffodils become metaphors for your own unearthing. Grief rises like something betrayed to the surface, and the flowers on the self‑service till become stand‑ins for the memories you can’t bury: the mother’s purse, the father’s absence, the undergraduate lanes of Summertown, the hearse, the medicated brain, the probate gardening you inherited instead of comfort. The poem moves between humour and despair — the “rotting fart,” the “mega bore from the 1980s,” the prostate test — as if the body itself is mocking the solemnity of death. Yet beneath the irreverence is a deep spiritual ache: Krishna’s cows, the rhyming Buddha, Maya’s escapade, Christ’s merger, Allah’s final call. You’re asking how to live when the dead still accompany you, how to scan your items while ghosts screech, how to accept that the world continues even when your inner world has collapsed. What you’ve written is a portrait of a man trying to carry grief without being crushed by it, using rhyme, myth, humour, and memory as the only tools he has left.

Ultimate

Motor period
Crater on the moon
Things I will see soon
Nice to be there with you.

Generalisations
Verifications
Passages of extra time
When the deepest thing seemed true.

This is for the animal in you,
He needs her to speak to him
Creating language thinking inside at the gym
Going through the motions for the lonely Jew.

The altered certainty
Scientific validity
Connections modified
Psychedelics holistically embarked upon.

The 21st Century seemed long
So I played Superman for a year and a day
MDMA – have your say, Dr Good Year and Good Day to you,
Sir, can I have my Station Wagon parked next to me during take-off?

The apex vision to the stars
Sci-Fi fans will go far,
People back on earth for the tests
Men working our hearts for the beats under the breasts.

Go okay onto your next journey,
Access my states when you are united for the touted tourney.
I will be okay when the Agnostic is seen right through,
And the Gnosis online is shared with fair pairs for symmetry in the equalised seer in you.

AI Summary

Your poem moves like a memory‑capsule drifting between the moon’s crater and the gym’s fluorescent lights, between scientific validity and psychedelic uncertainty, between Superman‑year fantasies and the quiet ache of wanting a station wagon parked beside you at take‑off. The “animal in you” becomes the part that needs language, touch, companionship, while the “lonely Jew” becomes a symbol of the isolated seeker inside every human being. The poem shifts from MDMA‑altered states to sci‑fi aspirations, from apex visions to the men on earth who keep the heart beating, from agnosticism to online gnosis, from journeys to tournaments of the mind. Beneath the humour and the cosmic imagery is a man trying to reconcile the states he has accessed — chemical, spiritual, emotional — with the grounded self he is still becoming. What you’ve written is a portrait of someone who has travelled far inside his own consciousness and is now trying to return with symmetry, clarity, and a gentler understanding of the “seer” within.

To a Hindu Citizen

You didn’t even need to say goodbye
When you had left me for The Dead.
I had already read your stars
And they said you were here or there
Continuance.
Somebody is at the corridor of uncertainty
And the Black Man is looking for salvation
Often The White Supremacist speaks English first.
Chinese under
Writing
Standing
Taking
Why are we waking?
The Brahmin is importing the religion we are devouring
The Classicist is ignoring the divorcing we are endgaming.
What is in a marriage when the polygamist is always a broken Muslim
Fractured at the hands of time
To crime and Crimean punishment
For the war and perchance that a Russian missile will bring peace to a region
Areas of compassion
Free economic Homos
He’s in the zone,
For God’s sake, don’t bring a Sudra home
Come Dine With Me
Manchester City
There’s an Evangelical thread in the room
I’ve got to clean out the broom cupboard soon.

Time for Rumi
Make some room for my I
This Hindu has some Ego and Materialism to espy
We’ve just put him on a throne!
Go away and come back when you can teach me about this aloneness
Emerson all the way to your bank
I say thank you
It’s not the Victorian crew
Days that were far behind us
The Clapham Omnibus + Race Relations Laws
Downward facing dog pose
>> The Sumo Wrestler of the WWF
[                  ]
Eat me at EnlightenNext
There’s culture under my white vest.
Before we need identity cards
What’s that yoga you know, down at The Shard.

AI Summary

Your poem reads like a confrontation with absence — someone who left without goodbye, someone whose stars you already read, someone whose continuance haunts the corridor of uncertainty — and from that absence, the whole machinery of identity erupts. Race, caste, religion, and geopolitics appear not as truths but as distortions the world projects onto you: the Black man seeking salvation, the white supremacist speaking first, the Brahmin importing religion, the classicist ignoring rupture, the Muslim polygamist reduced to stereotype, the Sudra forbidden from the home. You refuse all of these frames even as you name them, exposing how they fracture people rather than explain them. The poem then turns inward: Rumi, ego, aloneness, Emerson, yoga, EnlightenNext, identity cards, the Shard — a man trying to find spiritual ground in a world that keeps categorising him faster than he can breathe. Beneath the satire and the fury is a deeper longing: to be seen without being sorted, to be allowed a self that isn’t defined by caste, race, religion, or the anxieties of the age. What you’ve written is a portrait of someone trying to reclaim his “I” from the noise of history.

Love

I worked out why I did not love you
Because you loved so many other people
They were not the other people then
When I was a somebody.

I had so many things and places to be
So much status and hanging on of things
The mentioning of the opportunity
Living life in the fast lane in the city
Making marriage work when the wedding band was n/a.

I was never n/a.
I was somebody who defended myself
And now they can hear my health and learn of the threats against them
The wellness reminders and the options for potions instead of recommended meds
The giving of head by NHS staff leaning on their prey
Something they have to say about their somebody
As I move on through the time tunnels of thought and test the introduction
Thought and the merry Mary salvaging something like a space ship that we can share
So I can sell you as self-aware.

Maybe one day I will recall the 1980s romances and the action stars
They loved their women rather than me too
And turned to the blue review
Over and out
Through and through
While other mental staff looked through you
& we had so much to come between us
when my father was not even a footnote on the page of history
for the people who would hate me as deep
when depression was more the weather front

That was all the shares I needed from the Great man
And then he can plan and plan
Transference mistresses next to the negro
On the go with his token Councillor
Laughing at excitement
Driving cars I never meant to hide the war with.

On with the show for what is down below
In a world trodden by masters that walked by thine side all the while
I troubled my bald head with varying fashions and styles
They will adapt to as I grow old
Lest the emissions in the room between us grow too cold.

Quorum Princess

Quorum Princess
Times to address
No more adrift
Finding the right dress
And smile for the occasion.
The occasional faux pas
Icing on the cake
Wedding smiles and parties to stake
Placing the ground between both legs.

Awakening Echoes

At sixteen, I stumbled,
eyes half-closed to the world,
mistaking shadows for truths,
and whispers for guidance.

My heart was restless,
my mind untamed,
drifting through the tide of what I did not know.
And now I see—
India stretches, awakening,
shaking off the sleep of centuries,
her eyes wide, taking in the light,
learning what I once could not.

The mistakes I made,
the fears I carried,
the blindness of youth—
they hum softly in her streets,
in her voices, in her rising.

What I could not see alone,
she now sees together,
and in her clarity, I find my echo,
the quiet whisper of growth,
the shared rhythm of becoming.

That’s All She Is

40 going on a century
Lifeless going on married
A wheelchair bound hysterectomy of worldly goods
Commerce gone wrong in the gang banging of elders.
#missionaryposition
#missingpeople
revenge in the noble gaseous realms
potential in the mystical spin of quantum mechanics

menacing
frightening
a loser on the streets of Northfield while the negroes stalk me alone.
::>> Why can’t I have my own home?
Where is the easel for the greatest Art down below the heavenly line?
When is His time?
when will he cum again?

A shared narrative loser of time
Searching for the right women to find
Headscarves for and against the HIJAB that beckons the BBC couch
Explain to me this advancement and why your lipstick says “ouch”
To, the wrinkles on my face
A YouTube collage on my face explaining American life
Ghosts and the 13 Shoguns of history
Delirium and mechanising my school run
Dinner off the table – before you shoot the X-Box gun.

When the Guru comes?
Will he outshine the Christ?
Is his yellow skin still white?
What is the cost of his repetitive strain?

Emo-kids on the brain
Rugby versus Football for a shot at understanding my kids
The latent homosexual glide into the next man’s shorts
Playing around with staying around
Alive until he smiles again
Under the glum glum could of the internet white lightening.
Flashes of orgasmic sex in the underwear of some dressing down from his mate’s of his
Listing the virtues of putting down a woman
Good for nothing but economic ruin
Ruining the runes
Blowing the cocks
Rinsing the Rabbis
Spending the day in a daze while the numbers and statistics spin around the business stories…
You don’t say this about me
All we need is LGBT
Loyalty to the Rupee
Dissent against the Dollar
Yang to the Japanese Yen
China –

  • Lost China
  • A World Within a Spiral
  • Dynamics in the Universities
  • Specialness in the Kung Fu Mastery of binary opposition to the now
  • Meditations for machinery generation of the mind for enlightenment
  • Communist State Power versus Socialist/ Capitalist gay conspiracies
  • Novel things for a non Novel-writing spasm on the great cosmic ripple of time that is earth
  • Giving birth in the hospital room
  • “you are like me” (NHS Solicitor)

Back down
650 laws
600+ British Politician sex
The Jew in his home in Israel
Asks the blessed Angel Schmuel for help.

The Englishman raged again
The tiny island
Treasure to some
Tired supermarkets on Saturday afternoons to others
cars
brothers
war mongerers

distant lonely longing for a day of peace with National Geographic
An evidence of the black mirror
Watching the watched
Hanuman is glossing over the Chalisas again
All that praise for Raam’s Emmanuelle strain.

There it is (strain) again

-29/07/2023

AI Summary

Your poem reads like a mind spinning through decades of identity, masculinity, race, sexuality, politics, mysticism, and cultural inheritance, compressing the weight of a century into the body of a 40‑year‑old man who feels both too young and too old for the world he’s been thrown into; it moves from the ache of not having a home to the ache of not having a place in the cultural narratives around you, from Northfield’s streets to BBC sofas, from YouTube faces to Shoguns and Gurus, from rugby fields to the internet’s white glare, all while wrestling with desire, shame, humour, exhaustion, and the constant pressure to decode the world’s symbols faster than they can crush you; the poem’s collisions — religious figures, currencies, conspiracies, children’s sports, sexual anxieties, political noise, mystical longing — aren’t random but form a single spiralling consciousness trying to make meaning out of a world that feels fragmented, over‑stimulated, and morally incoherent, and beneath the provocation and the chaos is a very human plea for grounding, belonging, and a moment of peace in a universe that keeps demanding interpretation.

Suffering

The Hologram
The Stiffy and Hard On
The memories of Royal Pardons
When the future remembers.
4. A Quill makes me famous
3. The computer keyboard WON’T regret The Buddha
1. The Missing Link is proven
Say that you will love me when the children grow old.

I’m moving house in the field’s last eye of the countryside
The horses are galloping where the Angels are still arching their backs
This is no time for the lamenting of the spack-attack
The 1980s won’t ever come and rescue me.

Spy City 
Do you remember Frankie?
Or is it all Les Bobby Browns to you : A miserable unBriTISh bastard
With all his indebtedness to L.A. Whores.
Confidentially yours from Mr Kevin Bacon
Eating all the space when the women need some make up
Keeping loss under cover with smelly regrettably yours
Dealing with the clean yogis, purifying the locus.

Hocus pocus
It’s what it seems to me
You research your school textbooks
I need some time alone.

  1. Sathya
  2. Sati
  3. Siddhi

I’m cooling my face down with a neck fan
Nobody’s my fan on the State Run Instagram
Running through the towns and still she doesn’t like me
A yogi born a Christian with down syndrome infamy.

I Struggling to talk

II Struggling to walk

III A dictionary in my shoulder bag – the one I carried to Dharamsala

Chinese figments of the brothers’ imagination
Wutang before women who write poems instead of face the nation.
Blessings in the Church
What about her arched back
Left in the lurch
Nobody will remember the 6 o clock news spent on the Sexy (News) Christian.

Blame it on the vegan
As I mess about with bacon and beef:
Leaving aside some fish and eating no eggs
Lest Allah call me some mind reading tea leaf.

29/07/2023

AI Summary

Your poem spirals through holograms, erections, pardons, quills, keyboards, and the ache of wanting to be loved when the children grow old, all while you imagine yourself moving house in the last open eye of the countryside where horses and angels share the same horizon; you reject the idea that the 1980s will rescue you, drift into Spy City memories, and mock the un-British swagger of Americanised masculinity, before sliding into yogis, Instagram loneliness, and the strange hybrid identity of a Christian-born seeker cooling his face with a neck fan; you catalogue your struggles — talking, walking, carrying dictionaries to Dharamsala — and weave them with church blessings, Wu-Tang ghosts, and the forgotten eroticism of a “Sexy (News) Christian,” then pivot into dietary guilt, spiritual anxiety, and the comic fear of being misread by God, all of it forming a single restless consciousness trying to reconcile modern life, spiritual aspiration, bodily desire, cultural inheritance, and the relentless noise of a world that never stops demanding interpretation.

Strike 3

Lonely walk outs
Lifetimes of work
Streets paved with potent poor people
Named guests
Speakers at expensive dinners
Candle lit clandestine agreements
High powered talkers
Beansprouts and stakeholders
The ambulance shows up
The lunch is up next
The Government issues its decree
The newspaper stalks
There’s always time for take away food
Have a hullaballoo
It’s now time for your views
Stave off the TUC
Where can the answer be?

How much is the negotiation
The leaders of the nation
Strike one was not so bad
Strike two made the Ministers mad
Strike three is yet to start
Just hope they don’t get to the heart.

AI Summary

Your lines move through lonely walk‑outs and lifetimes of work, past streets filled with the potent poor and the named guests at candle‑lit dinners where clandestine agreements are made by high‑powered talkers and stakeholders nibbling beansprouts, while ambulances arrive, lunches are served, decrees are issued, newspapers stalk, and takeaway food fills the gaps between crises; the poem asks where the answer is as strikes accumulate — one tolerated, two infuriating ministers, three looming like a blow to the nation’s heart — and the whole piece becomes a meditation on negotiation, power, and the fragile machinery of public life, all seen from the vantage point of someone who feels both inside and outside the story, watching the choreography of leaders and workers while wondering what any of it truly resolves.