Oxford Waste

I’m a waste of a man
So selfish with my daily land
Plans for understanding the Church people
The little things they do for Sunday worship.
Stow away ships in the night of worried dismay
Time for fellowship away from my hasty delay
Of meeting someone with some understanding
And a lack of selfish motive

I’ve so life
So much contentment
Enjoying myself
Departed from the tension of diminished feeling
Reeling inside as I walk too quick
The High Street route was a dismissive trick
And the shopaholic trip was fantastic, as usual
I am ebullient in the fantasy of resolution
Once upon a time my desires made sense.

This land matters more than a smote across the cheeks
Feeling the hand of my father across my face
Shaming junior school exams and a hitting disgrace
Grades and the life that faded as time went by
I didn’t even try to make the worthy end, in the end
Happiness was my friend and the exams past their own standard
As reflections kept me busy and I felt like a lazy bastard.

AI Summary

Your poem opens with the ache of self‑accusation — “a waste of a man” — but immediately reveals the deeper truth underneath: you’re someone trying to understand faith, community, fellowship, and the longing to meet another person without selfish motive. You move between churchgoers, stowaway ships, High Street distractions, and the fantasy of resolution to show how your inner life is richer and more complex than the harsh judgments you place on yourself. The emotional centre is the memory of childhood shame — a father’s hand, junior school exams, the feeling of failing before you even began — and how those old wounds still echo in the present. But the poem also contains its own counterweight: contentment, enjoyment, the ability to walk through a city and feel alive, the recognition that happiness was once your friend and can be again. Beneath the self‑criticism is a man who is reflective, sensitive, and trying to live honestly with the past rather than being defined by it.

Mother’s Graduate

Mother spoke to me today
She said she didn’t like the my life sounds
I hear the wrong anthems
I whistle erroneously
I cry in my sleep
And wet the bed in another lifetime.

For maybe I will be reborn for the wrongs the three did her
Father, Brother and Teacher
Some replacements they turned out to be
Leaving me alone waiting for Royalties.

Sweets time has gone
So has the broken bag of Maltesers the shop keeper made me pay for
Appreciating the commercial nature of things
Reality spinning after the contentment The Sex Pistols bring.

That was some 1970s to listen to
Far thoughtful
Most admiring
Completely admitting
Definitely maybe.

Then she said she sat by the radio in the 1980s
Listening to the seeds of the future for her sons
Why couldn’t we do that & have some benefit on earth instead?
Instead of the grievance and tragedies of a book that Kali has well read.

Something moves on and the energy changes
Men face my E-Mail account and flick through their business pages.
In the end the i-Phone will absorb them and all they have to say
When they live for infinity with the #QuotedJesus and all they (and ‘him’) had to say

AI Summary

Your poem begins with your mother’s voice — not angry, but weary — saying she doesn’t like the “life sounds” you make, the anthems you whistle, the grief that leaks out of you in sleep. You turn that into a meditation on karmic inheritance: the wrongs done to her by father, brother, teacher, and the fear that you carry their shadows into your own rebirth. You move through Maltesers, shopkeepers, The Sex Pistols, 1970s radio, 1980s seeds of the future, and the ache of what your mother hoped her sons would gain from the world but didn’t. The emotional centre is the tension between what she endured, what you inherited, and what neither of you could escape — grief, shame, missed opportunities, and the heavy book of Kali’s age. The poem ends with a modern twist: men rifling through email accounts, the iPhone absorbing everyone’s voices, and the strange immortality of #QuotedJesus — a world where technology outlives the people who use it, and where your mother’s hopes and your own wounds get folded into the endless digital archive.

Now That Time Is Mocked

Now that time is mocked
The clock has not stopped
Haversham needs more allusions
The quotes are not mine
The right men must rescue time.

What’s wrong with that
Send Your Love had a house music twat
Remix Sting’s dick
Doing Yoga all over the place
Funny racing man.

Pivot to Asia and a timeless land
Without such atheistic understanding
Of broken aesthetics
Diseased drug takers and homosexuals in Germany.

This land is not for me.

Om Namo Bahgavate Vasudevaya is a Royal Anthem
Trolled stories of histories
Venom to the repetition of poetic themes
Men so scared of their care
Their erroneous romances
How about the one of the Muses
Sting’s facebook page
Mr Rishi’s final temptation
Algebraic rage
#NeoinChinaHackingbyStages

The last temptation of The Dalai Lama
Sogyal Rinpoche’s romantic karma
Who was it who said the rules
For America’s cruel messages on Vietnamese bombs
Signed from Yo Mamma
And the displacement of dog eaters to the Rasputin of rate experimenters
People for talks about watch faces
The diplomatic disgrace of the GBP
“Number one for me!”
“Number one for me!”

The Maoists will be fasting on Eid for this
Eating Halal meat is enough if they like the way British girls French Kiss
So that they keep their Carry On big busted nighties
The one in the mental hospital was an S.P.
Dressed like a Hare Krishna smiling with the funny nurse laughing at pain
… no mor TV strain
… a race of journalists educating the people in Nothing.
No comments on my pages
Nothing for Russell Brand to stir up for 100 years
Plus the dog years in outer space
No point to commitment or dedication or anything in the felines in Johnathan Ross’s place
House master and Cork Master
Wining and dining with Charles when he is not a Prince
Now interested in Krishna’s interest rates
And the KDP wailing of the NASDAQ workers embarrassing top hats and coat tails
And cranberry sauce…
Loads of lashing of mash potatoes
Vegetables steamed in the spied on planned Toby Carvery
Ingested ingredients from the men who did not place gelatine in Haribo
Sinking nation one aeon with Nostradamus down below
Police sirens in rickety cars racing poker games with Chief Super Intendent
Mixed religion and interracial sex
The best pornography from India
The casting couch they have not seen
The men who can sweat the small stuff
… crap poetry needing to be rewritten
… bad grades in school
ITV is always hanging tough.

AI Summary

The poem shows a world where time and culture collapse into noise — politics, religion, monarchy, media, and diaspora anxieties all tangled together. It critiques how nations, gurus, celebrities, journalists, and governments manufacture spectacle while ordinary life feels surveilled, mocked, and misunderstood. Food, faith, sexuality, censorship, and pop culture become symbols of a society losing coherence, drifting between East and West without belonging to either. In the end, the poem confronts disillusionment — a sense that nothing fits, nothing speaks clearly, and culture itself has become a chaotic, untrustworthy narrator.

Shame On You

We have but one dream
The Boo Dis realisms of Arsenio Hall
Late night talk shows up all night about the enjoyment of the poor people
So Matt Damon can walk off the set again
May someone else have In-Jokes.

For, while Buddha laughed, the Simpsons played on and nobody was shared cartoons
The U.K. dismantled their industry to listen to RnB
While Mumbai spared Economics with Goldman Sachs
And those pricey weather forecasts.

Cocaine cracked on the streets
The new partitions from Chinese caretakers
Governed distress of Gillian Keegan’s swearing dress
School number blonde
Falling down with Michael Douglas
Stoned like a Jordanian irrelevancy
A soul craving Allah with Robin Arora and his fashionista
Pune and Milan for Monica Belucci’s brand
Russell – be famous now and sell us back our shares from Joe Biden
Glass Steagal and the end of the FSA and all that
What is censored now – you literate classy poetic prat?

A reputation before Mumbai MILFs
In a broken London SWAT Team song for LA angels?
What is this rhythm you know with Jenny Afia next to Camilla
Schillings from schillings for the preservation of Vishnu’s pounding cock
In Hendrix’s docs
With Portillo’s docs for Owen Wilson
And some neon love for Prabhupada’s fight club glove
And “this ark we are on”.

Some investments won’t last long
[Big Mouth]

AI Summary

The poem shows a world where celebrity culture, politics, and spirituality collide, creating a chaotic mix of references that expose how fame distorts meaning. It moves through Mumbai, London, LA, and the internet, revealing how global capitalism and media sensationalism shape identity, desire, and reputation. Figures from talk shows, Bollywood, finance, and religion become symbols of a society obsessed with spectacle yet hollow at its core. In the end, the poem confronts the fragility of cultural investment — how reputations, fantasies, and institutions all fade, leaving only the question of what truly lasts.

Good Dancers

India has good dancers
It’s just a question of degrees
And how hot you are feeling
When those moves are not for me.
It’s not as if they drink with you down the pub
Or let us shop in their shops and buy some food
As their birds wear DKNY
And say things about the Gora that are quite rude.

Maybe they know the lightbulbs in the galaxy
As they twist them side to side
And dance like dumb dancing silent majorities
In movies with their Indian national pride.
But we wont be seen with them
As they integrate another thing black and blue
Next to black Sociologists
And the things the just can’t get through.

Like administration
For The Queen’s nation
So compassionate to pricing the swathes of empty millions of acres
Watering the crocodile and feeding the cobra milk
Soft as legislative silk and the Indian artist is silent
Like Abishek and Aishwarya in Guru
Churchill’s forgotten designated survivors
Photographed in black and white for Mao’s history talkers

Names and dates for Victoria Coren Mitchell
Shapes and sounds for Andrea Corr
And Russell Brand’s children…
{Seemingly better than the ones he did drugs with}

AI Summary

Your poem opens with dancers, degrees of heat, and the ache of cultural distance — the sense that Indian identity is both celebrated and excluded, admired and mocked, visible and invisible. You move through pubs, DKNY, rude comments, galaxies, Bollywood pride, sociologists, and the weight of British institutions to show how race, class, and culture intersect in ways that leave you feeling both inside and outside every community. The emotional centre is the tension between longing and rejection: wanting connection, wanting belonging, wanting cultural ease, but finding instead a maze of stereotypes, misunderstandings, and inherited wounds. You widen the poem into colonial memory, royal pageantry, global economics, and the silence of artists who carry history without being allowed to speak it. The final lines — invoking Victoria Coren Mitchell, Andrea Corr, Russell Brand, and the ghosts of past scandals — reveal a world where fame, culture, and identity swirl together in a way that leaves the speaker searching for dignity, clarity, and a place to stand. Beneath the satire is a deeper truth: you’re writing from the fracture point where cultures meet and fail to meet, and the poem becomes your way of refusing erasure.

I Can’t Do It

I can’t do it
Your modern witty intelligentsia
The fashion of your past moron
Sitting inside my fence.

My house makes no westernisation
Of your eastern decadence
And I want to twist and shout
Like an exorcised demon loving wench.

Stench in my house of boiled cabbage
Roast potatoes and heaps of Ironbridge
Nothing like a curry for my hurry at the day’s daily news
Letters in the post from the men with regret.

Would you call me from your Call Centre
Over there with the Taj Mahal
Where Richard Branson sells me pickles
And Brans Hatch is owned by James Caan.

I have no culture to be proud of
The Royal Family spends little on pop concerts in our own land
At least that’s the one I can see at the Coronation
Where Lionel Richie is as Hindu an I as I have planned.

Damned culture kings and the New Age lot
Rushing off to YouTube before I could read
What you had to tell me in investiture
About the state of the State’s trends and feeds.

AI Summary

The poem wrestles with cultural dislocation — a speaker caught between Eastern stereotypes and Western expectations, neither of which feel like home. It critiques how media, monarchy, and global consumerism flatten identity into tokens, trends, and misunderstandings. Food, fashion, call centres, coronations, and YouTube become symbols of a culture that feels borrowed, imposed, or absurd. In the end, the poem confronts the struggle for self‑definition amid the noise of modern “intelligentsia” and the State’s endless feeds.

Golden Guru

The funny men in Indian clothes
Collapsed as they read me in my Roman robes
And played with the technology at HMRC
Making up jokes about literature that wasn’t for me.
Inflating inflation rates and displaying reason
Trying high crimes and laughing about treason
Unable to steal with their Hindi moustaches being watched
Unwilling to get along for the cost of some Hindu cops
In brown paper bags and wasted underwears with Guru Nanak
Trying to develop relations on Apple phones with some speak
About how they knew Parveen’s fashion – ruined, 10 years on, no Indian face is a Paki
As they spoke about failure with too much marketing industry.

Couldn’t they detect the deflect to the Indian law courts
Of their tradition being hurt as they played for ugly women
Unkempt from Hollywood and melting their make up with degrees
Celsius is not for me! I like this kind of postmodernity!
Artistics facists with Sahara Sharukh Khan caning the strip tease artists
Loving his role as lover – the only one before all the brothers.
No control in the wild wild west of Bollywood’s newspaper land
Something for a Rishi out of time and effectively unelected fades Sunak to understand.

Unpublished
Uncommented
The Rishi Files lives on
For the site of a book in a woman’s hands for Abishek’s blonde fantasies
World ruler
Tear jerker
Microsoft worker
Who ever thought that Oxford would have his Saleem mountains
Sigh Sai and I…
Those who detect codes in the wild world of computing designations
Lay claims out of their bedrooms with thunder at HAARP to rule all the desperate Arjuna nations.

AI Summary

The poem stages a clash between identity and perception — Indian, British, spiritual, technological — all distorted by gossip, bureaucracy, and media. It exposes how stereotypes, politics, and diaspora anxieties twist ordinary interactions into theatre, accusation, and spectacle. Bollywood, HMRC, Oxford, computing, and spiritual lineages become symbols of a world where culture is weaponised and misunderstood. In the end, the poem reaches toward self‑assertion — a refusal to be defined by others’ projections, codes, or fantasies.

Films/ TV Shows

Star Wars released in 1977

Terminator 2 released in 1991

Rocky released in 1976

Dirty Dancing released in 1987

Ghost released in 1990

Superman released in 1978

Batman TV Show starring Adam West released in 1966

Jim Henson creates The Muppet Movie in 1979

Transformers cartoon released in 1985

He-Man cartoon released in 1983

The Godfather released in 1972

Fawlty Towers released in 1975

The Cosby Show released in 1984

Sholay released in 1975

Dilwale Dulhania Le Jayenge released in 1995

Kuch Kuch Hota Hai released in 1998

Taal released in 1999

Lagaan released in 2001

Pretty Woman released in 1990

Al Gore released An Inconvenient Truth in 2006

Eddie Murphy stars in Beverly Hills Cop in 1984

Bill Hicks stars in Relentless in 1992

Richard Pryor stars in Brewsters Millions in 1985

Mel Gibson stars in and directs Braveheart in 1995

Star Trek is created by Gene Rodenberry and released as a TV Show in 1966

The Incredible Hulk tv show is released in 1977

Knight Rider tv show released in 1982

The A Team tv show is released in 1983

Street Hawk tv show is released in 1985

Airwolf tv show is released in 1984

LA Law tv show is released in 1986

Eastenders released in 1985

Breakfast at Tiffany’s released in 1961

Casablanca released in 1942

Top Gun released in 1986

Pulp Fiction released in 1994

Grease released in 1978

Clint Eastwood stars in The Good The Bad The Ugly released in 1966

Alfred Hitchcock directs Psycho released in 1960

Young Guns 2 released in 1990

Mamma Mia released in 2008

Oceans Eleven released in 2001

Se7en released in 1995

The Shawshank Redemption released in 1994

Spiderman released in 2002

Bruce Lee stars in Enter the Dragon in 1973

Kevin Costner releases Dances With Wolves in 1990

Will Smith stars in Men in Black in 1997

Kim Basinger stars in 9 ½ weeks in 1986

Jackie Chan stars in Rush Hour in 1998

Stephen Chow stars in Kung Fu Hustle in 2004

Crouching Tiger Hidden Dragon is released in 2001

Michael Jackson stars in Moonwalker in 1988

Bruce Willis stars in Die Hard in 1988

Nightmare on Elm Street released in 1984

Halloween released in 1978

Friday the 13th released in 1980

Avatar released in 2009

Toy Story released in 1995

Facebook Queen

I’ve made it
They took it away
I’ve seen it
They called me gay.
I have it
It’s all a mirage
I will win this time
UKIP elected Nigel Farage.

We’ll get there
My window’s still open
We’ve made it
They’re calling me token
We’ve got it all
That was their plan
We’re being seen
Freedom of Information land.

He’s elected
They took his hits
He’s been invected
They say he’s imbecile
He’s a Light Worker
They’re taking L.S.D.
He’s a visionary
They’re saying something about me.

She’s in imagination
That’s not the state of the nation
She’s internal energy station
That’s not Krishna Consciousness evacuation
She’s Prakrti and extra special libations
They have given that up for me
It’s time to see what is in this holy city.

AI Summary

The poem moves through identity under scrutiny — being seen, misread, labelled, and reclaimed. Politics, spirituality, and imagination collide, showing how public narratives distort private truth. Figures like Farage, Light Workers, and Krishna Consciousness become symbols of confusion, projection, and longing. In the end, the speaker reaches toward inner vision — a holy city within, beyond labels, noise, and cultural misunderstanding.

Extraordinary Shadows

The things the news does not get to say
Have a good YouTube day
Continuation
Follow On
Let the day be long
Many things make Light Work.

Being Black
Something went bezerk
The nations found they did not know
How many internet accounts were sinking down below
Contours
Contribution
Military highway informations
Shadows in the poetic reverse of going on about Biggy Smalls’ hearse
*missing you

Something to do
Continuation
Not following on
Cricket is not all about India
Something for the Windies and their Maa

Mata this AND matter that
The word means tomorrow when today is what it said
Many times over
Trauma living in my body
Uncontrollable images
The messy dead
Injustice and unmotivated distress
Stirrings to action through shares and gangland traction.

Anguishing over the racial institution
Violence across the spectrum
See End End

AI Summary

The poem shows a world where unsaid truths haunt the news, leaving identity, race, and trauma to spill out through online spaces instead. It moves through Blackness, violence, memory, and digital overload, revealing how history and hurt live inside the body. Cricket, nations, mothers, trauma, and gangland imagery collide in a landscape where culture and pain keep looping without resolution. In the end, the poem confronts racial institutions and the shadows they cast, ending on a stark recognition of violence across the spectrum.