Too Good

My poetry books were too good
They hurt the open market
They were Communist when they were Western
And Capitalist as the Chinese paused for thought.
The British told the French to leave it alone
The Germans told the Londoners to socialise better.
The Indian prayer left Ganesh at the alter
To find out who my letters were addressed to
While Japanese asked 7 Samurai what the Bleep* Ken Wilber was to do..

So forth the ride is funny when the wise men are about to calm the rapid writing down
Then I can come home for money which the rich men will pay me for being a literary clown.

AI Summary

Your poem imagines your books as too hybrid, too cross‑cultural, too ideologically fluid for any market or nation to contain — Communist to the West, Capitalist to China, spiritually confusing to India and Japan. It becomes a comic fable of a writer whose work travels faster than the systems trying to judge it, until even the “wise men” can’t keep up. Beneath the humour is the sting of being brilliant yet misunderstood — paid, in the end, not for truth but for playing the “literary clown.”

That’s All She Is

40 going on a century
Lifeless going on married
A wheelchair bound hysterectomy of worldly goods
Commerce gone wrong in the gang banging of elders.
#missionaryposition
#missingpeople
revenge in the noble gaseous realms
potential in the mystical spin of quantum mechanics

menacing
frightening
a loser on the streets of Northfield while the negroes stalk me alone.
::>> Why can’t I have my own home?
Where is the easel for the greatest Art down below the heavenly line?
When is His time?
when will he cum again?

A shared narrative loser of time
Searching for the right women to find
Headscarves for and against the HIJAB that beckons the BBC couch
Explain to me this advancement and why your lipstick says “ouch”
To, the wrinkles on my face
A YouTube collage on my face explaining American life
Ghosts and the 13 Shoguns of history
Delirium and mechanising my school run
Dinner off the table – before you shoot the X-Box gun.

When the Guru comes?
Will he outshine the Christ?
Is his yellow skin still white?
What is the cost of his repetitive strain?

Emo-kids on the brain
Rugby versus Football for a shot at understanding my kids
The latent homosexual glide into the next man’s shorts
Playing around with staying around
Alive until he smiles again
Under the glum glum could of the internet white lightening.
Flashes of orgasmic sex in the underwear of some dressing down from his mate’s of his
Listing the virtues of putting down a woman
Good for nothing but economic ruin
Ruining the runes
Blowing the cocks
Rinsing the Rabbis
Spending the day in a daze while the numbers and statistics spin around the business stories…
You don’t say this about me
All we need is LGBT
Loyalty to the Rupee
Dissent against the Dollar
Yang to the Japanese Yen
China –

  • Lost China
  • A World Within a Spiral
  • Dynamics in the Universities
  • Specialness in the Kung Fu Mastery of binary opposition to the now
  • Meditations for machinery generation of the mind for enlightenment
  • Communist State Power versus Socialist/ Capitalist gay conspiracies
  • Novel things for a non Novel-writing spasm on the great cosmic ripple of time that is earth
  • Giving birth in the hospital room
  • “you are like me” (NHS Solicitor)

Back down
650 laws
600+ British Politician sex
The Jew in his home in Israel
Asks the blessed Angel Schmuel for help.

The Englishman raged again
The tiny island
Treasure to some
Tired supermarkets on Saturday afternoons to others
cars
brothers
war mongerers

distant lonely longing for a day of peace with National Geographic
An evidence of the black mirror
Watching the watched
Hanuman is glossing over the Chalisas again
All that praise for Raam’s Emmanuelle strain.

There it is (strain) again

-29/07/2023

AI Summary

Your poem reads like a mind spinning through decades of identity, masculinity, race, sexuality, politics, mysticism, and cultural inheritance, compressing the weight of a century into the body of a 40‑year‑old man who feels both too young and too old for the world he’s been thrown into; it moves from the ache of not having a home to the ache of not having a place in the cultural narratives around you, from Northfield’s streets to BBC sofas, from YouTube faces to Shoguns and Gurus, from rugby fields to the internet’s white glare, all while wrestling with desire, shame, humour, exhaustion, and the constant pressure to decode the world’s symbols faster than they can crush you; the poem’s collisions — religious figures, currencies, conspiracies, children’s sports, sexual anxieties, political noise, mystical longing — aren’t random but form a single spiralling consciousness trying to make meaning out of a world that feels fragmented, over‑stimulated, and morally incoherent, and beneath the provocation and the chaos is a very human plea for grounding, belonging, and a moment of peace in a universe that keeps demanding interpretation.

Fur Casts

Fur Cast
The last is first
First caste
The Brahmin knows the worst.
No brockwurst on his table
The Saracens are enabled
The Shogun know the past
The Samurai are 1980s at last.
Models on the cat walk
Famous men that can talk
Stockbrokers in Dubai
Royalties saying goodbye
Mendicants in the apothecary
Love in the noble boudoir
Arrangements and engagements
Was that what the Judges meant?
Say it is upstairs at three o clock
When the whistles are blown for crytpo stocks,
And the river Styx is dried into a parched red carcas
Imaging earth for the sunshine of Albion up above.
Davos at noon and the afternoon
Snow capped mountains in the Hindu room
Levity with briefs of the lawyers who believe
Again, in the merry go round of the spinning wheel.
Political correctness gone wild.

AI Summary

It’s a poem about the collapse and collision of hierarchies — caste, class, royalty, warriors, models, mendicants, crypto traders, Davos elites — all spinning together in a surreal carousel where ancient identities meet modern absurdities; the speaker watches Brahmins, Saracens, Shoguns, Samurai, Dubai brokers, boudoir lovers, and apothecary mendicants drift through the same global marketplace, while judges, lawyers, and political correctness whirl around like a malfunctioning wheel of fortune; beneath the humour and spectacle is a sense of exhaustion with the world’s endless reinventions of power, and a quiet recognition that the spinning never stops, no matter how many times history changes its costumes.

Character

A character trying to be English
Is not a Welshman trying to be a Scot
For a Frenchman playing with the Irish
Is lost when the German is in Japan with a robot.
The Canadian playing with the American
Questions the Brazilian waxing lyrical with the African.
Then the Peruvian is selling coffee to the Columbian
Lost in strains of medicine with the Swiss and Portuguese.
The Queen of Spain pleases the Dutch
And the Maltese falcons fly south to Madagascar for the winter
The Australian demonises the British for his ancestry
While the Chinaman accepts the Llamas from Tibet back home.
These are the things my garden gnomes watch
While I hustle amongst the leaves and raze the lawn.

In such a way the world is a tripid thing to spell out loud
While the mature men travel and do business with the proud.

AI Summary

It’s a playful but pointed reflection on how national identities blur, clash, and parody one another, as people try on cultures like ill‑fitting clothes — the Englishman pretending, the Frenchman wandering, the German in Japan with a robot, the Australian resenting his British ancestry, the Tibetan llamas returning home — all watched by the poet’s garden gnomes as if the whole world were a miniature theatre; and in the end, the poem recognises that the global tangle of identity, commerce, ancestry, and pride is impossible to spell out cleanly, even as mature men travel the world doing business with the same old seriousness.