The International Mama

There are times in the solid room
There is a okay Heraldry in the plastic tomb
Here and there is a fractured glass of a sonic boom

When the ships in the night are frightening.
These are the times when my teeth need whitening
And the lazy Sunday deserves an extra half hour in bed
After a week of working and washing the clothes
So far and so long that the measurements are not dead.

Something for me and something for them
The next thing they ask for is going to be too much.
There is not a bedroom that couldn’t do without a Rabbit Hutch
And more life for my kids stuck in a rut in England on a couch.

Married or unmarried it has to be the way
That Islam is Brick Lane when Hindus like Stoney Lane:
This eases the paths so that wires can be their heads
As Darth Vaders playing Space Invaders when I am gone and dead.

Halo boys on the angelic tip looking for some ink wells to laugh and dip
Their erectile problems fathoming centuries of God,
Because of schools and computers
That told of Blake’s Thel and her encounter with a Clod.

Something for me and something for them,
At least I will be back here again!
With their rotten spoilt karma to wile away the time
And think of good demons who give Satan all their crimes.

Nothing
Everything
Commanding things
Washing things again
These are the ways
Those are not the ways
DO this
DON’T DO that
What a prat
My son is a part prat
Because of Rat a Tat Tat
And all the stocks went splat
Breasts that are flat
Moments that I say “Drat!”
Who says “Drat!”?

When the movies are over after 96 minutes, some Nachos and some cheese.
pLeAsE
AcCePt : My Sons without regret
And let them finish some sand, sex and some sandwiches
So that Sanghrias could help them forget,

The war of Mahabharata 78004
Or whatever is at the door,
When I am not separate from you
Like the Heavenly liar and the Holy Jew.

AI Summary

Your poem moves between the quiet intimacy of a “solid room” and the chaotic noise of work, parenting, religion, pop culture, and inherited myth. It shows a speaker overwhelmed by demands — from family, from faith, from history — yet still trying to carve out a moment of rest, a half‑hour in bed, a breath between responsibilities. The poem’s cultural collisions — Brick Lane and Stoney Lane, Blake and Space Invaders, Mahabharata and Sunday chores — reveal how the sacred and the mundane constantly blur in your life. The final lines land as a plea for acceptance: for your sons, for yourself, for a world where the past’s wars don’t dictate the present’s love.

Sardonic and seldom meet for wedlock

Sardonic and seldom meet for wedlock
The Warlock is all too cheaply brewed.

The aspect is truly wonderful,
But the nastiness signs the show.
Heaving is the buxom, rash ashes and crucibles
Havana for [                ], against the strain
Of a percentile.

That reptiles don’t claim.
A climbing frame is sought
An abacus is bought
The wielding of a sword is salacious
If Guinevere is Calvary for Lance’s hiatus.
Malory wasn’t malign,
Gawain wasn’t fined,

Computer time: The serpent winds
Wands in the Wood.
Women that could.
One day, few will own the many…
A lady seen today is conspicuous
Individual realms non-dueling
The gold prospecting
Aspects of dancing
Today is a day to celebrate
Next year we need to excel.

If a girl could do well
Shanti would read.
Saraswati delivers a letter
A liver seeks a lover for and water,

Rivets in Navratri,
Nine times she is denied with Indian daughters.
The Hills Have TMZ
Eyeshadow
Mascara
Black boasts of Kali clones
Sweating this small stuff: Rudra with paint.

Nature is quaint to know the bones of Alas! I knew him.
Be well with Yorrick
(Was?) the free house of Hindustan, ‘47 @ 1851
Origin:
The great McBride Mahabharata
But not for me.

AI Summary

It’s a poem where medieval romance, Indian divinity, celebrity culture, and personal disillusionment collide — Guinevere and Gawain sit beside Kali clones, Navratri refusals, TMZ, Havana smoke, and the ghost of Yorick. The speaker moves through swords, serpents, wands, daughters, dancers, and post‑colonial echoes, exposing how myth and modernity both fail to offer a clean destiny. It becomes a portrait of someone standing between epics — Arthurian, Indian, cinematic — and realising that none of them quite claim him.

Riddle Me This

Riddle me this, riddle me that
What is the poetry, of a pious little twat?
Safe in his house, and not crushed on a cross
By 3 Nails.

Who is the third that walks beside a narcissist?

What have you done to the Gospels’ account?
Did you dish the book out?
Are your Marxist leanings weaning?
Is you a capitalist with the strength of a black fist?
Can you dance like a Punjabi with swords in Penzance?

I am a music man, I come from Pakistan…
And it isn’t droned. Drone?
The Dronacharya.
Acharya.
Acharya…
.. E. I. … Ooolo Ka Patha!

The finery,
The Winery.
Slimer’s ‘Ghostbusters’ Slimer same and the old story.

Radio and the new wave.  
The subtle things that ‘God’ does not know.

AI Summary

It’s a poem that fires questions like darts at religion, politics, identity, and performance — mocking piety, interrogating power, and mixing scripture with satire, diaspora humour, and pop‑culture ghosts. The speaker ricochets from Gospels to Marxism, from Punjabi sword‑dancing to Ghostbusters slime, exposing how belief, culture, and ego all collapse into one chaotic riddle. It becomes a portrait of someone using wit and provocation to peel back the subtle things even “God” doesn’t know.