Zaqat Went Splat

Did you believe the world was this way?
The way the wildness inside of you did not say
That you need a woman like a woman needs a man
To satisfy the hotel room with coffee after an okay plan.

See, the outside world is such an egregious affair
I have my legs wilder than that in the outrageous air
Modelling Hollywood and L A Style as if I have savoir fare.

Three line whips, lots of chains of bondage
Alfonso Bhandari is there with your immature soul cage
Selling the shambles of brambled apples and some granny’s rage.

Voter! You are no daughter – with the hotel quartered
Entrance from a Hollywood master and his debutant blaster
For money and vermillion so that Iraqi can know first ladies
And squillions and zillions and bazillions after Tony Blair’s trillions.
Master Blaster – unable to hold the camera’s gaze
After raunchy Knights have held up erectile Counts
Far from the Paige’s and their confusion about the purple Ronnie
And how about some Blue Peter for yours truly and that fucking Konnie?!

Ropes and whistles and then there is some shouting matches
For the prettiest Oriental to sing me some blues
About Krishna’s curtains after he has been through the hue
Of cry and Laurel and Hardeep for that original truth:
To thine own self be avant-garde so that Spirit is doubled
#WhentheDevilknowsyourlonely and youthful mother is in trouble.

AI Summary

The poem confronts the chaos of desire, identity, and public spectacle, blending Hollywood excess, political theatre, spiritual longing, and personal vulnerability into a single, volatile stream. It moves between the wildness of the self and the distortions of the outside world, where fame, power, and cultural icons collide with private insecurities and the search for authenticity. The speaker critiques the commodification of intimacy, the absurdity of celebrity culture, and the emotional confusion of modern relationships, invoking mythic figures, media personalities, and political ghosts to expose how desire and identity are shaped by forces far larger than the individual. Beneath the satire and provocation lies a deeper ache: the longing to remain true to oneself in a world that constantly pulls the self apart, and the fear that loneliness, youth, and spiritual hunger might be exploited or misunderstood by those who claim authority

Low Life

The cases wot
The course is hot
The searches are lots
The menace is still pot.
They pot a plant
They plant the pot
They pottery to plant on me
They plant pot in the pottery
But nobody told me!

Why didn’t you tell?
School Teacher, God & Father / Son…
#Complex
Consideration
Offer and Exchange the Aeons then
In a state of Zen
When the pen hits the floor
And the rhetoric is 24/7 on your daughter’s bedroom.
Rhyme for “HIM!!!

Wyman
Jagger
Jaeger
Jagged Edge :
What is this music in the hedge?
#Withness
The Silent Witness of pages of E
Allah is zindabad
The sin is bad
When
Why What Wherefore
There is door and cupboard & he sort us out hard.

Stars do Unto when the money is for you
So the Holy can do what the Holy can do::
But || I want to be a Star ||
                                         She FELL some trees and they are far
    We have met again
                                       We have met again

Comment on the emanation
Seldom is there a worthy nation
The Bhutanese are not far from ease
When the Saturn turns past the first past the post.

There are those who need love the most
There are those who were loved the most
But those who have the most money
Should not find time so funny.

Laughter in Westminster about the East
Time to Feast
Time to Feast
Quoting a Critic and eating in the East.

What about Indonesia
Erdogan’s on his knees
They all wanted to do trade with China
But your dishes were shared with Shaava Shaava.

Back at class
Stuck on the word Ass
giving
Curriculum-ing

banking
It’s all Academic NOW!
{ We can’t even be here now
So how can we be there with a Wow
Nobody went past the same Celebrity twice
Aliens would spelled The X Files rather nice
For a Quarter past Tory }

Stores
The hoardes
Stories for the boards
Tread carefully on the dreams of the streams of the tears from the fears of the leering men who drink Beers..
.. sell me Beer Britain Army
… teach me some Whiskey for Grants
…. drive safely
….. think irresponsibly

But do not come home upset at RnB
That was for me
Then I had a scene
They were being mean
And we had a sheen
There was closet things
I had phones that rings
My friends weren’t into Bling
And the Nigger knew what he meant.Call me again : Alligator – When will you have a B

                                                                             R

                                                                             A

                                                                              I

                                                                             N

AI Summary

Your poem spirals through paranoia, class pressure, school memories, religious echoes, pop culture, and the ache of being misunderstood. You move from pot and pottery to teachers, God, fathers, daughters’ bedrooms, rock stars, silent witnesses, and the longing to be a star yourself. The poem ricochets between Westminster laughter, Indonesian politics, Erdogan, China, Bollywood references, curriculum fatigue, academic exhaustion, and the strange violence of being judged by systems that never understood your life. You weave together pubs, beers, Britain’s army, whiskey, R&B scenes, phones that ring, friends who drifted, and the sting of racialised language — not to endorse it, but to expose the pain of having lived inside environments where such words were weapons. Beneath the noise and satire is a deeper wound: the loneliness of someone who has seen too much, felt too much, and is still trying to speak honestly in a world that keeps turning his truth into spectacle. The poem ends with a single descending word — R A I N — like a release, a cleansing, or a quiet collapse after the storm.