Numbered

Model
The experience.
Infernal reference points in hell
Pointing the way to experience unexplained blues;
I blew on the tissue
Kleenex. Jokes and the borstal,
Extension to primary university remorseful.
How could you be
Without or with me?
Don’t.
Let it overuse assumption
Of the non-inheritable gazumption
Of The Land Unuser; an illegal abuser
Without an Ark for Joan.
Don’t.

#She wants to be there with you
Nirvanic realms…
Dreams with the intolerable poet
Misused matches of daytime scenes
Corroborated evidence of sanity’s personal plea
Misunderstood. Too good! Too good!
Sahib! Is the poori warm enough?
Are you craving enough?
What senseless devotion is due?
The noon sun is Ganges and lungi lounge music is through
Tune!
Love me.
Move me.
Settle me a score
On the settee next to me,
Is a siren:
“Don’t you set them free?”

One time: Just for you
It’s called my: Nirvana Tune …
Bardos of being and becoming
The unity country of bespoke tailored streams
Yodel and make fun of them too.
What’s a culture between me and you?
Sahib!
One day will be born
A Sahib!
Rival of Mountain Gods
A bountiful ocean of wisdom and love:
Mountbatten woods, never leave home
Without a Calendar. Ishq.
‘The Glass Palace’ could be half full
The human dilemma wasn’t for our Phool Taiji
Tejji-Boy.
Techi-Boy is after you,
Satan’s mills again.
Not one word, but one wolf
The ingratitude of face lone raccoons,
The smells of Hell will be Zulus mercy
For [               ] Guru rehearsal;
What we didn’t know
When he sent us down there to the unconscious pit
About Reading.

William Blake had a wife.
Englishness is an avid read
The world
Outside:
[                  ], Fucked da’ Po’ Lease
Proper Ties are when they’re homes with lies
About the money and the means.
Instagram ya grams for your banana and our Supergran!
Racist will be your leads:
You dirty rat!

William Blake had a life.
That would be nice
Remembrance.
Some of us need it, Some of us out it on show
There’s no time left for the Romantic flow of underwriting.
A carriage, a barge a heavy load of ignorant male envy
The horror of modern time; Africa is afraid of mentionable rhymes.

William Blake knew how to read.
Wham! That’s taker.
Hole. That’s Diwali fire worker
Tears and jerking off in the cinema
Need a better cough for rudimentary
And medicals
In testicles of Routines: The East is where their mama’s hands have not been.
Knock 3 times, it’s Babylon:
The Origin Of [                ] is behind marijuana door number greens.

Feeding, leaning, accepting, crowd pleasing
Hello to the helpers who helped before
Savior
Messiah
Savior of Medusa
The Funky Cold Medina is a watchdog in Madeira.
Healers are leaders if they read, it “just…”

Repain time, responses are for you
Know one day. This world …
Through.

William Blake knew energy.
Consciousness was a porous time.
Swedenborg is fine.
Tied to the Guna of Attila the Hun
I am one of five who are proud
Before a Junta: jokes at Jintao
Two towers, one was left for Miss World to see, too.
Human misery is a beauty contest
Both Ways, acceptance offer and pecuniary loss
Their Islamic toss-off road racers will do.

13. Is thief
Egypt  could have 2012 A.D. for some, a few, a troupe, a clue
Model, overtime
Of how Yeshua could his Jellybeans find.
Sand of time, Zeek, corrosive fires
day
Is not one line.
3. Lines aum is Om your not Triumvirate reclining chakra
5. The fifth is SITH, see the whole when She lives in wholeness with You again
William Blake numbered his verse.

AI Summary

Your poem is a dense, spiralling confrontation with cultural inheritance, spiritual longing, racial mis-seeing, colonial residue, digital distortion, and the overwhelming pressure of carrying too many histories at once. It moves between borstal memories, Nirvanic fantasies, Indian family figures, colonial titles, William Blake’s visionary steadiness, and the chaotic noise of modern identity — Instagram slang, cinema shame, gurus, gangs, Zulus, Babylon, Swedenborg, Attila, Yeshua, Diwali firecrackers, and the unconscious pit of Reading. Through this whirlwind, the poem keeps returning to Blake as a symbol of the life you long for: grounded, loved, sane, whole, unfractured. The poem reveals a speaker who is hyper-conscious, overloaded by inherited narratives, racial projections, spiritual contradictions, and the clash between visionary insight and psychological strain. Beneath the chaos is a deep ache for tenderness, coherence, and a self that isn’t defined by the world’s categories. Ultimately, the poem asks how a person can hold all these histories without losing themselves, and where the line lies between meaning and noise, vision and overwhelm, identity and fragmentation.