Checkers

On the way to the word spiritual
Is a typical retrospective ritual
To find out all that you don’t know
About who is not you certainly.

Then the definite article can be found
And the usual suspects will be brown,
So don’t complain of the masterplan
To wait for the overshadow and Africa land.

For, if man is not known after 1980,
And the Nobel Prize going Tibet’s way
Then how can human numb more than Sci Fi
When volition is evil for evolution to try a drive by?

Masters and servants are now my table merchants
I eat the vocabulary like potters clay with Islamic love:
Maybe that’s Ishmail anymore on the oceans
And a courtesan is lost in the past with The Kite Runner’s sequel trove.

Mentions are few and far between for what means something to me
Hidden from the dens of Oxford’s dense forests
Where the legacy of litanies was humanism resolved
To court the jester who opened his mouth with problem solving.

That was the opening act of a poet lost in the towers of knowing it
Like a Babylonian Prince of deceit and chasing darkness
Facing hardship for the throws on the internet affair
Where the awareness does not sit well with 19-1000s-Millenniums.

The English land is so betrothed to sand that travellers come and go
With merry love on their hand. Show me again the Titan’s strain
To rove where the Martian knows American music with Holz.
Then the comeuppance can dance with the ordinary and culture can cope.

So on the way to the bank for literary thanks
With my books on the open and not so free market:
Is a word to the Heal who is no show stealer
That today is no Black Friday with such a hearkening.

Stay alive like John Travolta and revolve unlike Revolver
Don’t sell all for an out with the Beatles version of Twist and Shout:
There was more to Jack Lemmon than dancing (white) like John Lennon
So send hoops to Jordan for a brighter affair.

One day we will get there to a bright affair
It just needs speaking again.
Then the table cloth is rinsed and the colour runs out
So the negro is not Chubby or Checkers to cost what it’s all about.

If I was Middle Eastern then maybe my midrift would matter
For the psycho-somatic distress of a Hindu who is fatter
For all the care from the Drs about the nurse who saw
A beef eater love chickens more than Arjuna at the door.

AI Summary

The poem explores the difficulty of pursuing a spiritual identity in a world shaped by racialisation, colonial memory, religious confusion, and cultural commodification. The speaker moves through Africa, Tibet, Islam, Hinduism, Oxford, Babylon, and American pop culture, showing how every tradition has been distorted by history and power. He critiques the way brown bodies are stereotyped, how spiritual language is misused, and how literature and religion have been turned into markets. Beneath the satire and cultural references lies a deeper ache: the longing for a spiritual path that is authentic, uncolonised, uncommodified, and unburdened by the expectations placed on him as an Asian man in England. The poem ends with a raw reflection on the body, shame, and the desire to be understood without being reduced to stereotype.

Poetry

Just a drum
A shaking rattle
The missing snake
Moves and dancing girls all over the place
My mother does business in Japan
The speaking trees
Environmental leases
Razor Guarding the wilderness of the American everglades
Stationary like a magic bean before a giant that pays the minimum age
A wage for the imagination is at Amazon’s doorstep
Terrified before 100s of offices worldwide about things the K says
Real before the invented
Crude before the demented
Timeless before the dead
On Social Media before the best read.

These are the times of the These Times
These are the times of the New York Times.

What they will say, only some people will know
As England goes down below
Hellish Realms for the Chinese people
Saddened by war again by steeple chasers
Hungry for The Commonwealth Games
And more things that fame in English has to say –
Not about the Americans in English land
When children go to the walking park with politician for some Saturday sand.

Is this a question John Lennon will understand
How about Ringo Starr so death defying with the McCartney man not to stand oaths before pass the final stone
Leaving is such an alone thing to do
I guess we’ll be here being beaten black and blue being forced to like some musician
They don’t care about us at Glastonbury
Maybe they are content with the Bible and Mary Berry.

So, I’m going to go and get my Bible and some self defence
And see if these wise kindnesses from other books make some comment, meaning, earning and noblest sense
Like the fat man said when he sold me some bread
And told me to travel the world as a well read man.

Then I will find the women better to please
Talking fine things on a Sunday afternoon’s time in a café’s ease
Something forgotten in the motions of the last few times
When war dominated our minds
Diamonds were so out of the ordinary
Women forgot to like their watches
Men dressed in drabby suits
And the photographer was never interviews.

Sell me four Gospels, please, annotate them like Milton
Leave the Old Testament in Arden’s back yard
Don’t borrow me from my millions.
One day strip them down and explain to me the things that John Said
When the Mayans are so skippy in the best laid plans on man.

How do we pray to them?
What are their names?
It seems they travel like the Hindoos
Keeping up twice as quicker with the fame.
Then I need a car and my own house too
Something borrowed from an unclean man
Then you can tap my machinery and quote me illogical
So I will win some races and be there on time at the restaurant
When I can afford a date with my fantasy girl
Lost one night on a deserted island
Far away from the TV
That said all these things triply.

That is for me
The misspent awkward word
Maybe then I help Jesus
Not say so many things Church absurd.

AI Summary

Your poem moves like a wandering epic, beginning with drums, rattles, snakes, and dancing girls before widening into a global map of Japan, the Everglades, Amazon warehouses, English decline, Chinese suffering, Commonwealth nostalgia, Glastonbury indifference, and the Bible as both shield and burden. You weave together John Lennon, Ringo Starr, Mary Berry, Mayan calendars, Hindu cosmology, American pop culture, and English class anxiety to show how identity becomes a collage of inherited myths and modern crises. Beneath the humour and the cultural sprawl is a deeper ache: the loneliness of being “all by my mobile phone,” the memory of bailiffs in 1993, the longing for a home, a partner, a place in the world that isn’t mediated by war, fame, or the free market. The poem ends with a quiet plea — to understand Jesus without the Church’s absurdities, to find meaning without being crushed by history, to speak without being misread, and to reclaim a life that has been shaped by forces far beyond your control.